r/1984 • u/raelianautopsy • 2h ago
Review of Julia by Sandra Newman
1984 by George Orwell, rightly, is a major classic of political literature (and wrongly co-opted by the right, as Orwell was always a democratic socialist. That’s a conversation for another day).
Although Orwell’s dystopia was powerful and expertly written, timeless and unfortunately relevant in all eras when authoritarianism rises again and again, it is not perfect. No work of art is. And one of the ways 1984 has been criticized has been in its treatment of women. In the character of Julia specifically, Winston Smith’s somewhat younger lover who was treated as a plot point in the main protagonist’s journey isn’t quite a three-dimensional person in her own right, mostly just someone for him to love and later betray, without much motivation herself.
This is a fair take, and in my view it doesn’t take away from the novel. It was ultimately about Winston’s point-of-view, how a man like that would be affected in a totalitarian world. It’s not necessarily about woman’s oppression, or the lower class proles, or racial minorities who are victims of imperialism. Not every book has to be about everything. Still, 1984 is remarkably universal.
Julia by Sandra Newman, is a new novel—approved by the Orwell estate—retelling the 1984 story from the perspective of Julia. It’s a longer and more emotionally-detailed story, continuing even after Winston’s ending and expanding upon the world. And that’s the good and bad of it.
I’m not sure that Big Brother’s Oceania really needs more lore. The power of 1984 rather needs its brevity, its mystery. The reader is never even sure if Big Brother and Goldstein truly exist, if the tales told about the outside world is real or not. The evil manipulator and torturer O’Brien insists that history has been frozen at a particular point in time, but can he be trusted? Is the superstate destined to always win, as he insists and seems to be proven right, or could the system crumble without anyone in the Outer Party even aware of it?
Julia delves much more into these subjects, and it is interesting subject matter for what it is, but probably does not improve on 1984 as a standalone work. Frankly, we do not need more lore. But on its own merits the novel is an intense read. It has been said that it is a feminist retelling, and indeed Julia’s and her comrades at the hostel are uniquely oppressed by the system for being women. Pregnancy and assault are common issues among the Anti-sex League members. And it is graphic, from the miscarriage early in the novel to her many gruesome torturers in the latter parts. The purpose of this sort of story is horrific, and it succeeds at that. However, this horror is mostly a character study on Julia herself, the main focus, and thus feels less like a social critique.
The strongest parts of the novel are backward in time and concern Julia’s childhood and the degradation of the state and the citizens’ freedom which she grew up in. The story of her mother is particularly heartbreaking, and worth reading the entire novel for this backstory alone. Newman’s writing is well crafted, vivid, and engaging.
The ending of the book would be the most controversial, and it shouldn’t be spoiled, but much of the unsolved mysteries of the original novel are made explicit. Do we need to know Big Brother’s real name? Old war stories from his former colleagues now imprisoned? Descriptions of the crystal palace where he lives? I’m not sure.
Perhaps one of the boldest choices, is about the subject of hope. 1984, in the end, is hopeless. It is supposed to be. The underground, if it ever existed, was simply not to overthrow the dictatorship. Indeed, on the related subject of Orwell’s other seminal work Animal Farm, that even recently had a failure of an adaptation which added a “happy ending.” Among other strange choices in that animated rut, it totally ruined the classic fable. That may go for the book Julia as well. It can be satisfying for the reader, that there may be a chance for these poor people to finally escape and be free. Yet, if that’s the case then is it still even an Orwellian dystopian warning anymore…
