Tetsuya Chiba, the manga artist known for legendary manga Ashita no Joe -- regarded as a cornerstone of postwar manga history -- and numerous other hit works, and who also served as chairman of the Japan Cartoonists Association, died on the 22nd of October. He was 87.
Ashita no Joe, a boxing manga that began serialization in 1968 with Asao Takamori as original story writer, became a huge hit, thanks in part to famous lines such as “Stand…! Stand up, Joe!” And “I’ve burned out… into pure white ash.” When Joe’s rival Toru Rikiishi died in the story, a real funeral was even held, turning it into a social phenomenon; it remains beloved today as a cornerstone of postwar manga history.
Before founding Studio Ghibli, Miyazaki directed a 1972 animated television pilot called Yuki's Sun (Yuki no Taiyō). This project was directly adapted from Chiba’s popular 1963 shōjo (girls') manga of the same name. Tokyo Movie asked a young Miyazaki to direct, storyboard, and animate a 5-minute pilot based on Chiba's manga.
The story followed Yuki, a 10-year-old orphan girl growing up in the Hokkaido countryside who gets adopted and embarks on a journey of self-discovery. Although the pilot was beautifully animated, television producers ultimately shelved the project, and it never became a full series. However, the short survived and was later released publicly as part of The Collected Works of Hayao Miyazaki Blu-ray collection.
Animation scholars frequently note that adapting Chiba's work helped shape Miyazaki's signature tropes. The themes found in Chiba's Yuki's Sun—a fierce, independent young heroine, themes of orphanhood, a strong connection to nature, and an emotional journey—became the bedrock for iconic Ghibli films like Nausicaä of the Valley of the Wind, My Neighbor Totoro and Spirited Away.
Chiba stated that Hayao Miyazaki should be celebrated fundamentally as a master animator. He argued that while Miyazaki has written manga, his true genius, historic achievements, and ultimate contribution to human culture lie in his unmatched ability to bring movement, life, and cinematic breath to the medium of traditional animation.