Selkis Figurine

-664 / -332 (Early Middle Ages)

Place of discovery: Serapeum of Memphis

E 2994? ; N 5017 1; IM 5385?

Department of Egyptian Antiquities

Inventory numberMain number: E 2994?

Another inventory number: N 5017 1

Another inventory number: IM 5385?

Collection Department of Egyptian Antiquities

description

Object name/Title Designation: figurine

Description/Features Selkis (scorpion with a woman's head, equipped with arms, disked horns)

PHYSICAL CHARACTERISTICS

Dimensions Height: 7.3 cm; Length: 10.2 cm

Materials and techniques Material: copper alloy

Technique: round-back

PLACES AND DATES

Low Period Date (attribution based on style) (-664 - -332)

Date of discovery February 11, 1853

Place of discovery Serapeum of Memphis (North Saqqara->Saqqara->Memphite Necropolis) (In the foundations of the walkway built during the time of Ouaphrès. South side against the colonnade of Ramses II)

HISTORY

Collector / Previous owner / Commissioner / Archaeologist / Dedicatee Mariette Pacha, Auguste, Excavator/Archaeologist

Acquisition details shared after excavations

Acquisition date date of registration in the inventory: 06/1853 (If E 2994)

Owned by State

Held by the Louvre Museum, Department of Egyptian Antiquities

LOCATION OF OBJECT

Current location
Sully, [AE] Room 336 - Le Nil, Display 7

index

Acquisition and sharing mode after excavations

Name figurine

Copper alloy materials

Round-body techniques

Description/Features with arms - disked horns - woman's head scorpion - Selkis

Period Low Time

Sérapéum places in Memphis

BIBLIOGRAPHY
Master, Jonathan, "Isis at the Scorpion in the Ouawat Country, a provincial expression of the myth of the Good Mother," in Aufrère, Sydney Hervé; Spieser, Cathie (dir.), The Animal Microcosm in Ancient Egypt: From Terror to Veneration. Studies in Cultural Archaeo- and Ethnoarthropodology, Leuven; Paris; Bristol, Peeters, 2021, p. 373-413, p. 383, n. 39

Rouffet, Frédéric, "Isis and the scorpions: about some bronze statuettes of Isis-Serqet," in Aufrère, Sydney Hervé; Spieser, Cathie (dir.), The animal microcosm in ancient Egypt: from fear to veneration. Studies in cultural archaeo- and ethnoarchaeoprodology, Leuven; Paris; Bristol, Peeters, 2021, p. 285-305, p. 289

Hélène Guichard (dir.), Animals and Pharaohs, The Animal Kingdom in Ancient Egypt, exhibition cat. (touring exhibition Lens at Louvre-Lens 5/12/2014-09/03/2015, Madrid Caixa Forum 31/03/2015-23/08/2015, Barcelona CaixaForum 22/09/2015-10/01/2016), Paris, Somogy Art Editions, 2014, p. 247, ill. p. 247, no. 272a

Étienne, Marc (dir.), The Gates of Heaven: visions of the world in ancient Egypt, exhibition cat. (Paris, Louvre Museum, 2009), Paris, Louvre Editions / Somogy, 2009, p. 135, ill.; p. 135, no. 101

Etienne, Marc (dir.), Journey to the Afterlife. Egyptian Antiquities from the Louvre, cat. exp. (Australia, Canberra, National Gallery of Australia, November 17, 2006 - February 25, 2007; Adelaide, March 21 - July 1, 2007; Perth, July 21 - October 28, 2007), Sidney; Paris, Art Exhibitions Australia; Louvre Museum, 2006, p. 42, ill. p. 42, no. 43

Germond, Philippe; Livet, Jacques, Egyptian Bestiary, Paris, Citadelles & Mazenod, 2001, p. 179, fig. 225

Heka. Magic and enchantment in ancient Egypt, cat. exp. (Paris, Louvre Museum 2000-2001), Paris, Réunion des musées nationaux, 2000, p. 37; 65; 104, ill. p. 61, no. 61

Andreu, Guillemette, Images of everyday life in Egypt in the time of the pharaohs, Paris, Hachette, 1992, ill. p. 140

Delange, Elisabeth; Ziegler, Christiane (dir.), Life by the Nile in the time of the pharaohs, exhibition cat. (Calais, Musée des Beaux-Arts et de la Dentelle, November 1980-February 1981), Calais, Musée de Calais, 1980, p. 25, no. 20

Letellier, Bernadette; Ziegler, Christiane (dir.), Animals in Ancient Egypt, exhibition cat. (Lyon, Museum, November 6, 1977 - January 31, 1978), Lyon, 1977, p. 99, ill. p. 99, no. 115

EXHIBITION HISTORY
- Animals and pharaohs. The animal kingdom in ancient Egypt., Louvre-Lens, Temporary exhibition halls, 03/12/2014 - 04/03/2015, stage of an itinerant exhibition

- The Doors of Heaven: visions of the world in ancient Egypt, Napoleon, Temporary Exhibition under the pyramid, 06/03/2009 - 29/06/2009

- Journey to the Afterlife. Egyptian Antiquities from the Louvre, Perth (Australia), Art Gallery of western Australia, 21/07/2007 - 28/10/2007, stage of an itinerant exhibition

- Journey to the Afterlife. Egyptian Antiquities from the Louvre, Adelaide (Australia), Art Gallery of South Australia, 21/03/2007 - 01/07/2007, stage of a touring exhibition

- Journey to the Afterlife. Egyptian Antiquities from the Louvre, Canberra (Australia), National Gallery of Australia, 11/17/2006 - 02/25/2007, stage of a touring exhibition

- Life by the Nile in the time of the pharaohs, Calais (External, France), International City of Lace and Fashion, 01/11/1980 - 28/02/1981

- Animals in ancient Egypt, Lyon (External, France), Museum of Natural History, 06/11/1977 - 31/01/1978

Last updated on 19.12.2024

The contents of this entry do not necessarily take account of the latest data.

Permalink: https://collections.louvre.fr/ark:/53355/cl010006182

JSON Record: https://collections.louvre.fr/ark:/53355/cl010006182.json

Title
Selkis Figurine, Low Period Date (attribution based on style) (-664 - -332), Findspot Serapeum of Memphis, Copper alloy, The Louvre Museum

https://collections.louvre.fr/en/ark:/53355/cl010006182

The Louvre Museum

Scarab: Scorpion Motifs

Date:
New Kingdom, Dynasties 18–19 (about 1550–1186 BCE)

Artist:
Egyptian

ABOUT THIS ARTWORK

Status
Currently Off View

Department
Arts of Africa

Artist
Ancient Egyptian

Title
Scarab: Scorpion MotifsPlace

Egypt (Object made in:)

Date 
1550 BCE–1186 BCE

Medium
Steatite

Dimensions
0.6 × 1.6 × 1.1 cm (1/4 × 5/8 × 7/16 in.)

Credit Line
Gift of Charles L. Hutchinson

Reference Number
1894.1864

IIIF Manifest 
https://api.artic.edu/api/v1/artworks/134469/manifest.json

PROVENANCE
Reverend Chauncey Murch (1859-1907), Luxor, Egypt; sold to the Art Institute of Chicago, 1894; price reimbursed by Henry H. Getty and Charles L. Hutchinson, 1894.

Title
Scarab: Scorpion Motifs, New Kingdom, Dynasties 18–19 (about 1550–1186 BCE), Findspot unknown Egypt, Steatite, The Art Institute of Chicago

https://www.artic.edu/artworks/134469/scarab-scorpion-motifs

The Art Institute of Chicago

Amulet of a Scorpion

Egyptian
New Kingdom

MEDIUM/TECHNIQUE
Faience

DIMENSIONS
Other: 2.8 cm (1 1/8 in.)

CREDIT LINE
Harvard University—Boston Museum of Fine Arts Expedition

ACCESSION NUMBER
27.879

NOT ON VIEW

COLLECTIONS
Jewelry, Africa and Oceania, Ancient Egypt, Nubia and the Near East

CLASSIFICATIONS
Jewelry / Adornment – Amulets

DESCRIPTION
Faience, blue glazed, brown bodied. Head end missing.

PROVENANCE
From Semna. S 523. March 2, 1924: Excavated by the Harvard University-Museum of Fine Arts Expedition; assigned to the MFA by the government of Sudan

Title
Amulet of a Scorpion, New Kingdom, Findspot Semna, Faience, The Museum of Fine Arts, Boston

https://collections.mfa.org/objects/146379/lamulet-of-a-scorpion?ctx=ec15a074-c947-4c39-a538-6af4c5d9d20b&idx=9

The Museum of Fine Arts, Boston

Selket

In Ancient Egypt, the goddess Selket (also spelled Serqet or Selqet) was revered as a powerful and protective deity, most commonly associated with healing venomous stings and bites. Her name is thought to mean “She Who Causes the Throat to Breathe,” a reference to her role in safeguarding against poisons that could cause suffocation. She was believed to have dominion over scorpions, snakes, and other dangerous creatures, and thus people prayed to her for protection from such threats, especially in desert regions and during the hotter months when scorpions were most active. Mothers, children, and travellers were among those who commonly sought her divine aid.
Selket was often depicted as a serene and graceful woman with a scorpion poised on her head, arms outstretched in a gesture of divine protection. Her image adorned amulets and magical texts designed to ward off harm, and she played a crucial role in funerary religion. In particular, she was one of the four goddesses who guarded the Canopic jars of the deceased, protecting the intestines and aiding in the soul’s journey through the afterlife. Worshippers called upon her not only for healing in life, but also for safety in the realm beyond death, making Selket both a guardian of the living and a protector of the dead.

The worship of Selket (Serqet) can be traced back to the Old Kingdom of Ancient Egypt, around c. 2600 B.C., although it is likely that her origins lie even earlier in local or pre-dynastic beliefs related to scorpion magic and desert protection. She does not appear to have had a large, independent temple cult in the way that major gods such as Amun or Horus did. Instead, Selket was venerated in a more domestic and magical context, particularly through protective spells, amulets, and healing rituals. Her role was crucial in safeguarding people from scorpion stings, snake bites, and other venomous threats common in the Egyptian landscape.

Selket’s cult grew in importance during the Middle Kingdom and reached particular prominence in the New Kingdom (c. 1550–1070 B.C.), when she became closely associated with funerary rites and the afterlife. She was one of the four protective goddesses of the Canopic jars, entrusted with guarding the intestines of the deceased, paired with the protective deity Qebehsenuef. Her presence is notable in the Valley of the Kings, where she is depicted on the walls of royal tombs or accompanying sacred shrines, stretching out her arms in a gesture of protection over the king’s body and soul.

Worship of Selket likely took place through spoken prayers, household shrines, and apotropaic rituals (designed to ward off evil). People may have carried amulets bearing her image or invoked her name in spells from medical papyri, particularly those dealing with venom and breathlessness. Though she had no major temple, her role as a divine healer and protector ensured her worship was deeply embedded in both everyday and funerary religious life.

From The Egyptian Museum

I'm just curious. To me, it's a combination of artifacts and what I learned

Statue / man / part

Upper part of a greywacke statue of a seated man wearing a long wig with lappets: Ancient Egyptian, Middle Kingdom, 12th Dynasty, c.1922 - 1855 BC

This item is on display
National Museum Of Scotland, Level 5, World Cultures, Ancient Egypt Rediscovered
View museum map

Collection
World Culture

Object number
A.1965.8

Object name
Statue / man / part

Production information
Egypt, Northern Africa
12th Dynasty, Middle Kingdom, Ancient Egyptian

Culture / Style
12th Dynasty, Middle Kingdom, Ancient Egyptian

Materials
Greywacke

Collection place(s)
Egypt, Northern Africa

Exhibitions
Ancient Egypt Rediscovered (08 Feb 2019)
National Museum of Scotland
Ancient Egypt (29 Jul 2011)
National Museum of Scotland
Egyptian Gallery, 2003 - 2008(2003 - 2008)
Royal Scottish Museum

Title
Statue / man / part,Middle Kingdom, 12th Dynasty, c.1922 - 1855 BC, Findspot unknown
Egypt, Greywacke, National Museums of Scotland

https://www.nms.ac.uk/collections/search/object?entry=299517&school-style-generic=ancient+egyptian&page=1&view=cards

National Museums of Scotland

I found this shield at a antique shop 17 years ago.
I planned on painting over it at first but never got around to it so its just been sitting in the living room

Because its hand painted I was wondering if a veterans museum would want it? I found a donation link but because I don’t have much info on the shield I don’t know if its a waste of time or not

I spent a week in Vienna during winter and spent the week exploring Vienna’s museums, palaces and historic sights. These are the 7 that stood out to me the most:

1. Belvedere Palace
Probably my favorite overall. The combination of the Baroque palace, gardens and Austrian art collection is hard to beat. And yes, seeing Klimt’s paintings in person was definitely a highlight.

2. Kunsthistorisches Museum
If you like classical art and history, I’d definitely put this high on your list. The building itself is impressive, and I could have spent much longer there.

3. Albertina Museum
I really enjoyed the combination of the historic Habsburg State Rooms and the art collections. It’s also very conveniently located in the city center.

4. House of Music
A completely different experience from the traditional museums. It’s interactive and much more playful, so I’d recommend it even if you’re not a huge museum person.

5. Hofburg Palace
The scale of the complex is impressive, and there’s a lot to see around the palace, especially if you’re interested in the Habsburgs and imperial history.

6. Schönbrunn Palace
Definitely worth seeing, although I’d set aside more time for it because it’s not really a quick stop. The palace and the surrounding grounds make it feel very different from central Vienna.

7. Hop-On Hop-Off Bus
I actually enjoyed doing this more than I expected. It was a good way to get an overview of Vienna, especially on a longer trip, and useful for reaching some of the sights that are further from the city center.

I was in Vienna for 7 days, so I had much more time for museums and sightseeing than someone doing a 2–3 day trip would.

For those who live in Vienna or visit regularly - what would you add to this list?

I would love to say something profound about Art and the human condition, but this speaks for itself.

I feel like museums are largely moving beyond the traditional display format into a lot more interactive and virtual stuff. But who are the companies behind this shift in most museums, as I'm learning these aren't typically done by the museum staff itself. I know a few - Giant Spoon (NYC, LA), Momentum Worldwide (NYC), NeoPangea (Philly-based) - but who are the others? Who are the main players in digital/virtual museum displays (and are any of them beyond the coasts)?

Arched Sistrum

380–343 BCE
Egypt, Late period (715–332 BCE), Dynasty 30%2C%20Dynasty%2030)

Medium
Bronze, hollow cast

Measurements
Overall: 21.4 x 5.3 cm (8 7/16 x 2 1/16 in.)

Credit Line
Gift of the John Huntington Art and Polytechnic Trust 1920.1990

Location
107 Egyptian

Description
A sistrum is a musical rattle. Metal disks strung on wires along the arched upper end of the sistrum produced a rustling sound that was supposed to have a calming effect on the nerves of various deities, especially the goddesses Hathor and Bastet. Appropriately, this example is decorated with a Hathor head (a woman with cow’s ears) and a cat (the image of Bastet). These instruments are particularly associated with women, who played them as members of a temple choir.

Provenance
Purchased from E.A. Abemayor, Cairo, through Howard Carter

Citations
University of Wisconsin--Madison. The Book and the Spade: April 13 to May 4, 1975 : the Wisconsin Center, University of Wisconsin, Madison, Wisconsin. 1975, 23. Mentioned; p. 23, no. 54.

Berman, Lawrence M., and Kenneth J. Bohač.Catalogue of Egyptian Art: The Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 1999 Reproduced: p. 445; Mentioned: p. 445-6

Exhibition History
The Book and the Spade. Elvehjem Museum of Art, Madison, WI (organizer) (April 1-May 12, 1975).

Madison 1975; Malibu 1992, no. 31

Cite this Artwork
Arched Sistrum, 380–343 BCE. Egypt, Late period (715–332 BCE), Dynasty 30. Bronze, hollow cast; overall: 21.4 x 5.3 cm (8 7/16 x 2 1/16 in.). The Cleveland Museum of Art, Gift of the John Huntington Art and Polytechnic Trust, 1920.1990

Title
Arched Sistrum, 380–343 BCE** [Egypt, Late period (715–332 BCE), Dynasty 30,](https://www.clevelandart.org/art/collection/search?culture=Egypt%2C%20Late%20period%20(715%E2%80%93332%20BCE)%2C%20Dynasty%2030) ** Findspot unknown Egypt, Bronze.The Cleveland Museum of Art

https://www.clevelandart.org/art/1920.1990

The Cleveland Museum of Art

Cartonnage Burial Portrait, Mask

1912.01.0004

Basic Information
Artifact Identification
Cartonnage Burial Portrait, mask   (1912.01.0004)
Classification/
Nomenclature

Artist/Maker
Unknown
Geographic Location

Period
Ptolemaic?
Date
305 – 30 BCE
Culture
Egyptian
Location
Not on Exhibit
Communication Artifacts : Ceremonial Artifacts: Funerary Objects
1 Africa, North: Egypt; Atfih? Taieba?
Physical Analysis
Dimension 1 (Height)
43.5 cm
Dimension 2 (Width)
27.0 cm
Dimension 3 (Depth)
22.0 cm
Weight
966 g
Measuring Remarks
Under Review
Materials
Textile--Linen, Plant--Flax, Plant--Fiber, Plaster, Pigment--Paint
Manufacturing Processes
Weaving, Painting
Research Remarks
Description
N/A
Published Description
N/A
Bibliography
James, T.G.H. Excavating in Egypt: The Egypt Exploration Society 1882-1982. Chicago: University of Chicago Press, 1982.

"This mummy is for real," Heritage 1/2 (May 1982), p. 3.

Photo found in World Heritage Museum Publication, 0000P.0111.

Catalogue of Exhibition of Antiquities found by the Officers of the Egypt Exploration Fund at Abydos and Atfieh exhibited at King’s College, Strand, Egypt Exploration Fund, 1912.

Oswego Daily Times, Saturday Evening, September 28, 1912, p.3.

CASSIER, Charlene, “Fouilles a Atfieh au debut du XXe siècle”, ENIM 4, 2011, p. 273-290.

JOHNSON, John de M., “Excavations at Atfieh”, ArchRep 1910-1911, Egypt Exploration Fund, London, 1911, p.5-13.

JOHNSON, John de M., “Excavations at Atfieh, etc.”, ArchRep 1911-1912, Egypt Exploration Fund, London, 1912, p.12-16.

Archives:
- Letter from William G. Hibbard to “K.J.J.”, October 12, 1912.
- Correspondence between the Egypt Exploration Society and the University of Illinois, September-December 1912.
- Correspondence between Pauline Parent and Charlene Cassier, March 2014.
Artifact History
Credit Line/Dedication
Egypt Exploration Society
Reproduction
no

Contact
All information about our collection is constantly reviewed and updated. Please contact Dery Martínez-Bonilla, Registrar, if there is any information you are looking for that isn't currently online.

Title
Cartonnage Burial Portrait, Mask, Ptolemaic?305 – 30 BCE, Findspot unknown Egypt, Textile--Linen, Plant--Flax, Plant--Fiber, Plaster, Pigment--Paint,The Spurlock Museum

https://www.spurlock.illinois.edu/collections/search-collection/details.php?a=1912.01.0004

The Spurlock Museum

Shrine Dedicated to Hathor by Thutmosis III

Artefact Details

Gallery number: 12 – Ground Floor

Period: New Kingdom

Dynasty: 18th Dynasty, reign of Thutmosis III (1479-1425 BC)

Size: Height: 225 cm, Width: 157 cm, Length: 404 cm

Place of discovery: Deir el Bahari – Temple of Thutmosis III (Thebes West)

Dynasty: 18th Dynasty, reign of Thutmosis III (1479-1425 BC)

Material: Painted sandstone

This shrine with the statue of the Goddess Hathor like cow built by Thutmosis III was found in 1906 near the temple of Mentuhotep at Deir el-Bahari. The roof is painted blue with yellow stars to imitate the Vault of Heaven, and on the back wall, the king makes libations and burns incense before Amun-Ra.
The original colors have been perfectly conserved.

Title
Shrine Dedicated to Hathor by Thutmosis III, New Kingdom 18th Dynasty, reign of Thutmosis III (1479-1425 BC), Findspot Deir el Bahari – Temple of Thutmosis III (Thebes West), Painted sandstone, The Egyptian Museum

https://egyptianmuseumcairo.eg/artefacts/shrine-dedicated-to-hathor-by-thutmosis-iii/

The Egyptian Museum

I’ve been meaning to finally check out the Museum of Exploration ever since it reopened to the public on June 26th, 2026, but only recently caught ads for it and decided I had to go by any means necessary. I actually did not know this was their headquarters. What little I got to see of it is very pretty indeed, so I think I’ll try to go back on, say a Friday evening with friends to get a bit more of a behind-the-scenes look. A couple of my friends will particularly appreciate the accessibility features such as ASL interpreters on screen and support for telecoils (aka induction loops) in hearing aids, and everyone will enjoy the variety of food and fun exhibits here. My favorite being the SPINOSAURUS!

The main problems I have with the Museum of Exploration are the very scattered and unclear exhibit names (exacerbated by the numbered markers being a weird clear plastic that can be kind of hard to see at times, with display signs sometimes very far off from the) and the lack of things to do. Sure, I had a great three-hour-or-so day there, but I saw practically everything in one go. Again, if I go back it’ll be to introduce new people, not to see a ton more that I didn’t get to, like how the Spy Museum has much more exhibits on more floors. However, the Spy Museum has been doing this “renovated museum” thing for much longer, and I definitely understand that this is a working office and so SOME space needs to be restricted to the public.

Most importantly, if you’re intrigued at all by the concept, the Museum of Exploration is absolutely worth the $30 at least once. There might not be a ton there, and it’s kind of random, but what is there is incredibly striking once you see it. Also, the museum’s message that exploration is important and for everyone is vital as we try to get the next generation of kids interested in nature.

Parents should consider bringing their kids here if they have ANY interest in history, biology, adventure, and interactive learning such as at The Launchpad or tactile replicas for exhibits such as the Terracotta Man. (Though I would not let MY kid go to the bottom of the ocean in a JIM suit, LMAO.)

In an age where, on the one hand, certain people gatekeep history and condescend to the rest of us based on self-aggrandizing exploitation of travel to shield themselves from critique or based on language knowledge, and on the other, anyone can click a button and put something absolutely wrong out, museums like this are so vital to democratizing knowledge for all.

Hope you enjoy my great Saturday out and learn some history!

Stela of Sebekdedu

Details
Title
Stela of Sebekdedu
Associated place
Africa > Egypt > Sohag Governorate > Araba al-Madfuna, (place of excavation)
Date
Middle Kingdom, 12th Dynasty (Egypt) (c. 1938 - 1755 BCE)(date of creation)
Material and technique
limestone
inorganic > stone > limestone
Object type
artefact
Dimensions
31.8cm (height)
22.9cm (width)
No. of items
1
Credit line
Allocated by the British School of Archaeology in Egypt from excavations at Abydos, 1922.
Museum location
not on display
Museum department
Antiquities
Accession no.
AN1922.143
Reference URL
https://collections.ashmolean.org/object/765272

Title
Stela of Sebekdedu, Middle Kingdom, 12th Dynasty (c. 1938 - 1755 BCE)(date of creation), Findspot Abydos, 1922, Limestone, The Ashmolean Museum of Oxford University

https://www.ashmolean.org/collections-online#/item/ash-object-765272

** **The Ashmolean Museum of Oxford University

Hi everyone! I’m a graduate architecture student at the University of Florida conducting research for my final graduate project on immersive environments, empathy, and cross-cultural understanding.

I’m currently collecting responses for a short survey that looks at people’s experiences with immersive environments—such as museums, themed attractions, cultural exhibits, interactive experiences, and similar spaces—and which design qualities may influence perspective-taking, reflection, and understanding.

The survey takes about 10–15 minutes, and responses will help inform the design framework and pilot experiment I’ll be developing as the next phase of my research.

If you’re willing to participate, I’d really appreciate it!

Survey: https://ufl.qualtrics.com/jfe/form/SV_7UJDNpHsPSKNGDQ

Thank you! And please feel free to share with anyone who may be interested.

Seated Osiris amulet

Seated Osiris amulet

Associated place
Egypt, (find spot)
Date
Late Period (Egypt) (c. 715 - 332 BCE) (date of creation)
Material and technique
faience
Object type
amulet
Dimensions
5.4cm (height)
No. of items
1
Credit line
Purchased, 1965.
Museum location
not on display
Museum department
Antiquities
Accession no.
AN1965.181
Reference URL
https://collections.ashmolean.org/object/754532

Title
Seated Osiris amulet, Late Period (Egypt) (c. 715 - 332 BCE) (date of creation), Findspot unknown Egypt, Faience, The Ashmolean Museum of Oxford University

https://www.ashmolean.org/collections-online#/item/ash-object-754532

The Ashmolean Museum of Oxford University