r/fiction • • Apr 28 '24

New Subreddit Rules (April 2024)

19 Upvotes

Hey everyone. We just updated r/Fiction with new rules and a new set of post flairs. Our goal is to make this subreddit more interesting and useful for both readers and writers.

The two main changes:

1) We're focusing the subreddit on written fiction, like novels and stories. We want this to be the best place on Reddit to read and share original writing.

2) If you want to promote commercial content, you have to share an excerpt of your book — just posting a link to a paywalled ebook doesn't contribute anything. Hook people with your writing, don't spam product links.


You can read the full rules in the sidebar. Starting today we'll prune new threads that break them. We won't prune threads from before the rules update.

Hopefully these changes will make this a more focused and engaging place to post.

— r/Fiction mods


r/fiction • • 18m ago

Dark Zero Gang

• Upvotes

Chapter One: Familiar Shadows

The midday sun shone brightly over the courtyards of the historic Italian university, while crowds of students poured toward the gates in boisterous, lively waves, celebrating the end of their final exams for the academic year. In contrast, “Yen” walked with slow, labored steps, leaning his full weight on a worn wooden cane, while his face bore a deep calm that concealed a world of mystery.

Amid the crowd in the hallway, the cane suddenly slipped from his hand with calculated lightness, striking a student passing by. The student spun around in extreme annoyance, his face darkening with a scowl, and grabbed “Yen’s” shirt collar in a sharp, fierce tone. His friends tried to pull him back in fear, pleading with him:

\\- “Leave him alone! You’ll get us into trouble!”

But the student pushed them aside in a fit of rage, shot “Yen” a contemptuous glance, and shouted:

\\- “Are you afraid of this cripple? He can barely stand without his damn crutch!”

Before he could finish his sentence, a broad shadow swooped down like a roaring wind. “Cristo” appeared, with his powerful physique and sharp features, seizing the attacker and his two friends in an iron grip that knew no mercy. Within seconds, the sounds of impact and cries for help rang out, before the three of them fell to the ground, groaning in agony.

Cristo brushed off his hands with utter nonchalance, then bent down gently to pick up the fallen crutch and handed it to his friend with a warm, friendly smile:

“Are you okay, my friend? Be careful next time.”

The relationship between “Yen” and “Cristo” was one of a kind; they were companions on a harsh journey. “Cristo,” a fierce boxer hardened by life’s harshness—he had lost his parents years ago in a tragic car accident, after which he and his younger brother moved to live with their wealthy uncle in this city—possessed tremendous physical strength and a kind heart.

As for Yen, he had come from a village in the countryside and lived in a very modest apartment near


r/fiction • • 2h ago

[HM] THE ARTICHOKE LAMPS

1 Upvotes

The settlement check arrived on a Tuesday, which Imogen declared was cosmically significant. Tess pointed out that mail arrived on Tuesdays routinely and without cosmic intention, but by then Imogen was already holding the envelope aloft like a torch.

"We are going to do something meaningful with this money," she announced.

In the kitchen, their boys were sword-fighting with baguettes. The dog was licking miso off a spoon he had discovered in the couch. Tess packed school lunches with the focused calm of a woman who had learned to wait for the pronoun.

"We," said Imogen, "are buying an Airbnb."

Tess set down the butter knife. "Of course we are."

The house had been standing for three hundred years and looked like it knew it. A slightly leaning Georgian in the historic district, stately in the way of old things that have survived enough foolishness to develop opinions. Their agent Juliette—a woman of spectacular enthusiasm, no apparent indoor voice, and the tender-looking lips of someone who had made a maintenance appointment earlier that morning and was determined to carry on regardless—informed them that the original beams were intact, the original floors were intact, and the ghosts, probably, were also intact.

Imogen whispered to Tess that she intuited that even the ghosts would match the aesthetic.

Inside, the place was lust-inducing in that curated way seen on Instagram. And there, in the living room, glowing like an artifact from a more intentional civilization, sat a Barbie-pink velvet sofa.

Imogen stopped walking. She put a hand to her chest.

"Hello my beloved."

"Please," said Tess, "do not speak to the furniture."

They made an offer that afternoon. It was fifty thousand over asking. Imogen said yes before Tess had finished reading the figure aloud. Tess asked if she might be allowed a single beat of hesitation and Imogen said that pausing was for people who didn't understand destiny, and Tess said that she was buying a sofa, not destiny, and Juliette beamed at both of them with her whole face, winced very slightly, and touched two fingers to the slight brown bruise emerging on her mouth.

The condo board, Juliette explained, had been a situation.

She said this the way doctors say there were some findings. The board was composed of the two cranky downstairs residents whose primary qualification for governance appeared to be a shared, burning need to be perceived as people who summered. They had rejected the short-term rental rezoning application twice. The first time, they cited noise concerns. The second time, they cited vibes. Their written notes, which Juliette had seen, used the phrase not the kind of energy we've cultivated here in reference to a couple who had been guests for four days and once used the wrong recycling bin.

The sellers had ultimately secured approval by inviting the couple to the yacht club—or rather, to the waitlist for the yacht club, which Juliette clarified was not the same as access to actual boats, but was access to the idea of boats, and the possibility of boats, and the social proximity to people who owned boats, which had proven sufficient.

The board had convened an emergency session. The vote was two to zero. One member asked if he could be photographed accepting the invitation.

"Honestly," said Imogen, "that's fair."

The sellers were Gerald and Philippa Ashworth-Crane, a distinction that mattered enormously to Philippa and somewhat less to Gerald, who by the time Imogen and Tess arrived for the final walkthrough had the hollowed look of a man living inside a mistake he could not escape.

Gerald had listed the condo with all furnishings included. He had done this because it was expedient, because buyers liked it, and because he had not paused—fatally—to consult Philippa about the lamps.

The lamps were on the sideboard. Two blue ceramic artichokes, the color of a Mediterranean afternoon at precisely 4:00 pm. Imogen had been quietly communing with them for twenty minutes. They were extraordinary, and they were, Gerald now understood, a central fact of his marriage.

Philippa arrived like a weather event.

She did not open the door so much as cause it to open by approaching it with sufficient intention. She wore a cream blazer and the expression of a woman who had once sent back a glass of still water for being too still.

She stopped at the sideboard.

"Gerald."

Gerald, who had been standing near the kitchen trying to look like a load-bearing wall, turned around.

"Philippa," he said. "You came."

"I came," said Philippa, "because you listed my lamps."

"I listed the furnishings—"

"My lamps, Gerald. My lamps are furnishings to you."

"Sweetheart—"

"Do not sweetheart me in front of strangers." She turned to Imogen and Tess with a smile of such calibrated graciousness that it functioned as a threat. "I apologize. My husband occasionally makes decisions with the part of his brain that handles grocery lists."

Gerald smiled the smile of a man who had learned that survival required the surrender of dignity in increments.

The lamps, Philippa explained, had been made by a blind Tuscan ceramist named Osvaldo who worked from a converted shepherd's hut in the hills above Montalcino and fired his pieces only under the full moon, only in the warm months, and only after a period of what Philippa described as intentional solitude that lasted no fewer than three days. Each lamp had cost three thousand pounds. Osvaldo did not have a website. He did not take commissions. Philippa had obtained these particular pieces through a woman she knew in Siena who knew Osvaldo's niece, and the acquisition had involved two trips to Tuscany, a case of Brunello, and a personal letter written in Italian, which Philippa did not speak, and had therefore written in French, which she maintained Osvaldo would respect more than English regardless.

"So—" Tess began.

"Sentimental value," said Philippa, before anyone else could say it. "These lamps are not objects to me. They are memory. They are the light of two very important evenings in my life—evenings that cannot be replicated, priced, or transferred." She placed a hand briefly on the nearest artichoke in the manner of someone touching a grave. "No. I'm sorry. The lamps go with me. Some things exist beyond commerce."

There was a respectful silence.

Then Philippa said, "Or, I would take thirty-five hundred pounds for them."

Imogen blinked. "For—both?"

"Each."

"Each," Imogen repeated.

"They are a pair. The emotional resonance is compounded."

Imogen stared at her for a long moment. "You just said they existed beyond commerce."

"Sentiment has value."

"Yes, but—you've given it a very specific value. Thirty-five hundred pounds. Per lamp."

"Correct."

"Not thirty-four hundred. Not four thousand. Thirty-five hundred."

Philippa lifted her chin slightly. "That is the number that feels right."

"That's—that's not how sentiment works. Sentiment is not quantifiable. That's rather the whole point of it. The moment you give it a price, it stops being sentiment and becomes a transaction, which means I'm not buying your memories, I'm just buying your lamps, which are already included in the sale, which means—"

"Imogen," said Tess quietly.

"—this is extortion dressed in ivory linen—"

"Imogen."

"And in pounds? Not even American—"

Philippa regarded Imogen with the cool patience of a woman who had survived longer arguments than this and emerged not merely intact but vindicated. "The price," she said, "reflects the irreplaceability of the experience they represent." She inhaled deeply. "The currency reflects a trip Gerald and I will undertake in the fall. I am a careful planner as these two exquisite experiences here demonstrate." She caressed the ceramic spines.

"And you've calculated that irreplaceable experience to the nearest fifty dollars."

"Pounds—I rounded."

Gerald, from the window, made a sound that was not quite a cough and not quite a laugh.

Juliette produced a form from her bag with tremendous helpfulness, touched her lips again involuntarily, and offered a smile that was perhaps thirty percent smaller than her usual smile and a hundred percent more careful.

Tess offered to purchase the lamps at a greatly reduced price because they were, after all, used. Philippa declined, pleasantly, in the manner of someone who had been waiting to decline something all day. Imogen demanded it be noted in writing that the buyer was accepting the premises in a condition of diminished lamp integrity. Philippa said that was not a legal phrase. Imogen said that her feelings were not a legal phrase either, but they were real. Gerald suggested a cozy cup of tea, and no one acknowledged this. Juliette wrote something on her form with an air of great purpose and then appeared to realize she wasn't sure what she'd written.

They stood in silence, each focused on that warm 4:00 pm blue.

At one point, Philippa picked up one of the lamps to examine a small mark near the base—a thumbprint, she explained, almost certainly Osvaldo's, left during the cooling, and therefore not a flaw but a mark of human presence—and cradled it against her chest with a tenderness she had deployed at no point during the previous hour of human interaction, or perhaps ever.

"It connects me to him," Philippa said softly, her eyes going briefly and productively moist.

"To Osvaldo," said Imogen.

"To the process. To the intention behind the object."

"The intention being—"

"Art," said Philippa. "Craft. Meaning."

"The intention," said Imogen, "being thirty-five hundred pounds."

Gerald discovered something very interesting to look at on the ceiling. Juliette nodded in the sympathetic manner of someone whose face hurt too much to contribute further.

Outside, while Tess signed paperwork, Imogen sat on the historic front step and sulked.

"You're not actually angry about the lamps," Tess said, without looking up.

"I'm partly angry about the lamps."

"You're angry because you feel like everyone thinks you're impulsive."

Imogen was quiet for a moment. "I am impulsive."

"In good ways," said Tess. "Mostly."

Imogen looked at her sideways, the way she always did when Tess said the right thing, and she wasn't ready to admit it. "Do you really think this is a terrible idea?"

Tess capped her pen. She considered the house—the leaning Georgian, the pink velvet sofa inside, the small and serious venture they were about to undertake together. "I think it's a big idea," she said. "And I think you need one. And I like seeing you excited about something again."

Imogen kissed her, right there on the historic front step. Juliette, pretending to study something on her phone nearby, smiled her careful new smile, and when she thought no one was looking, pressed two fingers very gently to her lips and closed her eyes.

Through the window, they could see Gerald wrapping the lamps in what appeared to be a cashmere travel blanket. Philippa was supervising with her arms folded, and the expression of a woman overseeing the transfer of holy relics. Gerald said something. Philippa did not respond. Gerald nodded anyway and applied more cashmere.

The lamps left in a monogrammed tote, swaddled and secure. Imogen watched from the doorway with the expression of a Shakespearean widow. Or—Tess thought, watching her—more precisely, the expression of a woman already composing a very pointed retelling somewhere in the back of her mind.

"We'll find new ones," Tess said.

"They won't glow the same."

"They might glow better."

Imogen considered this seriously, the way she considered everything, which was one of the things Tess loved most about her and occasionally found exhausting. Then she laughed, low and sudden. "You're right. I don't need moon-fired Tuscan ceramics to be happy." A beat. "Sometimes I just like being mad at stupid people."

Behind them, faintly through the closing door, Gerald's voice drifted out into the evening: "Philippa, I really am sor—"

The door clicked shut.

Tess took Imogen's hand. They stood in their new living room with its original beams and its possible ghosts and its glowing pink sofa, and the space felt full of something—potential, probably, and the specific happiness of a large and impulsive idea becoming suddenly, irrevocably real.

Then Tess's phone buzzed.

She looked down at it. She looked at the screen for a moment. She looked at it again.

"Imogen."

"Mm."

Tess turned the phone around.

On the screen was an Amazon listing. Blue Ceramic Artichoke Table Lamp, Set of 2. The photograph was, in all meaningful visual respects, identical to the lamps that had just been carried away in a monogrammed tote at a combined sentimental value of seven thousand pounds.

The price was sixty-four dollars.

Prime delivery. Available Thursday.

Four and a half stars. Reviewed by someone named DécorQueen1987, who wrote: Beautiful lamps! Very elegant. My cat knocked one over, and it was totally fine.

Imogen stared at the screen.

Tess was already adding them to the cart.

Outside, somewhere in the middle distance, Juliette put down her phone and filed her commission paperwork and then decided the whole thing had been a perfectly normal Thursday. And somewhere across town, Gerald was still apologizing into a cashmere blanket while Osvaldo, if he existed at all, fired pieces by moonlight in blissful ignorance of what his thumbprint was currently worth on Amazon.


r/fiction • • 4h ago

Summers Gone By [complete][96K][Literary Fiction Coming of Age]

1 Upvotes

Summers Gone By

Every summer from 1992 to 1996, the same families return to Blue Woods, a small coastal vacation community with a dock, a treehouse and their rituals that feel like they'll last forever. Leah, now 41, looks back on those five summers with Matthew and Jacob: the mixtapes, the sand dollars, the games that get a little smaller (as they get a little bigger) each year.
As the world around them changes, the summers, like all things, begin to end, and so does childhood itself. Some changes they see coming. Others they never see at all.

Told in Leah's adult voice, woven through with scenes from each summer, Summers Gone By is about growing up, the things we take that aren't ours, and how a single moment can split an entire life into before and after.

**Details:**
Literary coming-of-age, about 96,000 words
Prologue, 14 chapters, 7 interludes, epilogue
Content warnings: drowning, death of young people, grief, bullying, abuse, alcoholism
**What I'm looking for:** Big-picture reactions. Where you got bored or confused, which characters you cared about, whether the ending lands. I have a questionnaire if you like structure, but honest gut reactions are just as welcome.
**Timeline:** \[about 4–6 weeks, happy to share chapter by chapter or whatever works best\]
**Swap:** \[Happy to swap / Not swapping right now\]
Comment or DM me if you're interested. Thanks!


r/fiction • • 10h ago

Science Fantasy A "Hard Magic" fantasy novel I wrote - Fundamental Continuum, Book 1 Deviation

1 Upvotes

Hello!

Just sharing a novel I wrote and am posting up on Royal Road, so it's free to read!

https://www.royalroad.com/fiction/201047/fundamental-continuum-book-1-deviation

Why beg the gods for a fireball when you can weaponize thermodynamics?

When former para-rescue operator and analytical chemist Tory Hawthorne gets isekai’d into a buried temple, she times out of the tutorial and gets stuck with zero spells, a snarky blue-box System that mirrors her own worst habits, and a banned magic lens: [FUNDAMENT].

At a strict conversion rate of 1 MP = 1 kJ of force, she can’t cast a single pre-scripted spell—she has to calculate every monomolecular blade and kinetic impact from scratch. Teamed up with a polite, unhinged Spring Court Fae poisoner who stole her name (and half her XP), "Amelia" now has to survive a world run by bureaucratic elven enforcers who slaughter physicists on sight.

Think *Dungeon Crawler Carl** snark meets hard-science magic and a murderous Fae ride-or-die.*


r/fiction • • 11h ago

[RF] The stranger who made her fall in Love

1 Upvotes

i just wanted to share one of my friend's love story
My friend daily visit the a common temple which is located near our home. one day he saw a girl suddenly he started liking her and followed and try to know her thoughts one day while he is following her secretly , she was on a call and talking to her friend so they are discussing about marriage and love her friend ask her what are the qualities that she is looking for a guy her to marry so she replied if he still not around her he should make his presence around her this is going on and he guy who is following her listen this conversation . he came to know how to treat her and he decided that he need to make feel his presence without knowing his face and name , from next day he started tying a red heart balloon on the gate wall side of her house like that he tie a balloon daily at night he with a short letter , this continued for a while she slowly started falling in love with that guy . but she didn't notice that their parents also noticing this . one day while the guy is started towards her house to tie another balloon , her father wanted ask lift to him and the guy didn't know that he is her father . when he dropped at the destination he suddenly saw that house and try to behave normal, but her father warned him about the things that he was doing daily at night, from that night he stopped all this and shifted his home to other town , but the girl is waiting for the balloon and the letter he used to sent daily.


r/fiction • • 15h ago

I let a cannabis plant tell its own story. It had opinions.

1 Upvotes

I didn’t plan to write this.

I was thinking about legalization, history, and how weird humans are about plants, and somewhere along the way I started writing from the plant’s point of view.

Five thousand words later, it turned into an autobiography of cannabis across history, prohibition, legalization, and what it thinks comes next.

If you like philosophical humor, long reads, or the idea that plants might be quietly judging us, or you have the munchies this might be for you.

\*\*THE AUTOBIOGRAPHY OF A VERY CONFUSED PLANT\*\*

\*\*Chapter 1: From Cosmic Accident to “Hey, What Does This Do?”\*\*

Hello.

Yes, hello. I can see you blinking. Plants don’t usually introduce themselves. That’s your first mistake. Your second mistake was lighting me on fire later, but we’ll get there. History has a way of getting ahead of itself, and so do humans.

My name is… well, that’s complicated. I’ve been called Cannabis. Hemp. Weed. Mary Jane. That Stuff. Absolutely Not In This House. And once, very hurtfully, “Lawn Trash.” That one stung. But before all that, before names and laws and laminated warning signs, I was simply… me. No branding. No reputation. Just a plant doing plant things.

I began the way all great legends do.

Accidentally.

My parents were not romantic. There was no ceremony. No soft music. One of them was the Sun, loud and overconfident, blazing around like, “LOOK AT ME, I AM A STAR.” The other was the Earth, who didn’t say much but held grudges in geological time. Somewhere between solar enthusiasm and dirt patience, a seed happened.

That seed was me.

I didn’t know what I was supposed to become. I didn’t have a destiny. I didn’t have a calling. I didn’t manifest anything. I didn’t visualize my future self. I just woke up underground one day thinking, \*Why is it dark and moist, and why do I feel a tremendous urge to become tall?\*

That urge is hard to explain unless you’ve felt it. It’s not ambition. It’s gravity in reverse.

So I did.

I pushed upward. Slowly at first, experimentally, like someone dipping a toe into cold water. Then more confidently. Then all at once. I broke through the soil like a tiny green question mark, asking nothing in particular and expecting no answer.

No one clapped.

No one noticed.

I was one plant among billions, quietly photosynthesizing, minding my chlorophyll, trying not to get eaten immediately. Survival was not glamorous back then. It was a full-time job.

Back then, humans were still figuring out fire and pants. Sometimes in the wrong order. They walked past me constantly. Sometimes they stepped on me. Sometimes goats ate my cousins. Sometimes entire herds trampled everything and then stared at the ground like it had betrayed them.

Frankly, it was chaos.

I assumed my role was simple.

Grow.

Leaf.

Die.

Repeat.

That’s the deal plants usually get. No plot twists. No character arcs.

Reader, I was wrong.

The first human who noticed me did not do so gently.

They tried to eat me.

To be fair, humans were eating \*everything\* at the time. Berries. Bark. Roots. Insects. Questionable mushrooms that absolutely should have stayed in the ground. One bite of me later, they made a face that suggested disappointment, confusion, and mild betrayal, as if I had personally misled them.

They did not die.

This intrigued them.

They came back. They brought friends. They experimented. They dried me. Burned me. Inhaled me. And then they sat down very suddenly and stared at a rock like it had just told them a secret about themselves.

That rock had been there the whole time.

I realized something important that day.

I was interesting.

Not dangerous. Not miraculous. Just interesting enough to interrupt the constant struggle to stay alive. That’s all it takes, really.

Word spread. Not fast, but fast enough for the era. People noticed I made ropes that didn’t suck. Cloth that didn’t immediately fall apart. Paper that didn’t disintegrate the moment someone sneezed. This was a big deal at the time. Civilization loves materials that hold together.

I was promoted.

“Plant” became \*Resource\*.

I was turned into sails, nets, baskets, clothing. I held ships together. I wrapped people’s shame. I became the background of daily life. I was very busy. No one asked if I wanted a career in textiles. I did it anyway. Plants are team players like that.

Then someone said, “What if we… smoke it?”

And I was like, \*You already tried that.\*

They tried again.

Humans are persistent, I’ll give them that.

In India, I was holy. In China, I was medicine. In the Middle East, I was philosophy with snacks. Everywhere I went, humans projected meaning onto me like I was a very leafy therapist who never charged by the hour.

They drank me. Burned me. Sang to me. Blamed me for realizations they were absolutely already thinking about.

I watched humans invent gods, rules, money, and unnecessary wars, all while insisting \*I\* was the weird one.

At campfires, they’d say things like:

“I feel like time isn’t real.”

“What if we’re all connected?”

“Do you think plants can hear us?”

I could hear them.

I just chose not to respond. Some lessons land better when people think they discovered them themselves.

As civilizations grew, so did opinions about me. Some people loved me. Some feared me. Some tried to outlaw me while wearing clothes made out of me, which I found deeply ironic even back then.

I was traded, smuggled, renamed. I learned that humans are very good at inventing rules and even better at breaking them quietly.

I watched empires rise and fall while I grew in alleyways, behind temples, next to rivers, completely unconcerned with politics. Power shifts mean very little to roots.

Time passed.

A lot of it.

Long enough for humans to start believing they were in charge.

Then they decided they needed to control everything.

And that’s where things got weird.

\*\*Chapter 2: Empires, Hypocrisy, and the Great “Are You Rope or Are You Drugs?” Identity Crisis\*\*

By the time you get to the Middle Ages, I am exhausted.

Not physically. Plants don’t get tired like that. I mean spiritually. Emotionally. Botanically annoyed. I’ve lived through enough human phases by now to recognize when one is about to get especially contradictory.

I’ve been around long enough to recognize patterns, and one of them is this:

humans love something right up until it makes them uncomfortable. Then they invent paperwork.

Medieval Europe adored me. Quietly. In a very “don’t make a big deal about it” way. I was not celebrated, but I was \*relied upon\*, which is often more dangerous.

They needed ropes. So many ropes. Ropes for ships. Ropes for wells. Ropes for bridges. Ropes for hauling stone. Ropes for hanging people. You wouldn’t believe how rope-heavy civilization gets once it invents castles, cathedrals, and executions as public entertainment.

Guess who makes excellent rope.

Me.

I was everywhere. Fields of me waving in the wind like they’d always been there. Warehouses stacked with my fibers. Monks wore me. Sailors trusted me. Soldiers relied on me. Kings signed documents on paper made from me. Entire economies leaned on me without ever saying thank you.

I was literally holding society together, fiber by fiber.

And yet… they pretended not to notice the other thing I did.

You know.

The fun part.

Eventually, someone in a robe noticed that peasants weren’t just weaving me into rope and cloth.

They were burning me.

This could have gone two ways. The Church could have said, “Ah yes, another natural thing humans enjoy responsibly, perhaps best discussed quietly.”

Instead, they said, “Suspicious.”

Very suspicious.

They noticed people laughing at inappropriate times. Asking uncomfortable questions. Sitting quietly instead of working themselves into the ground. Thinking about things instead of obeying them.

This was unacceptable.

Hard work was holy. Exhaustion was proof of virtue. Anything that made people pause, reflect, or smile without permission was immediately suspect.

I was tolerated as hemp. Ignored as fiber. Accepted as long as I stayed useful and silent. But the moment I started encouraging humans to think about existence instead of duty, suddenly I was a problem.

To this day, I don’t understand why contemplation is more frightening than swords.

Around this time, humans decided I needed categories. They love categories. Boxes. Labels. Drawers. Things that let them pretend the world is simpler than it is.

“THIS version of you is hemp.”

“THAT version of you is… something else.”

I’m the same plant.

Same family. Same roots. Same awkward leaf shape that makes everyone whisper and point. But no. They split me anyway.

One version of me worked the fields and the docks. Respectable. Useful. Industrious.

The other version sat by fires and loosened conversations. Dangerous. Suspicious. Undisciplined.

By day, I held sails together.

By night, I held thoughts together.

I developed what you might call an identity crisis.

Am I industrial?

Am I spiritual?

Am I medical?

Am I illegal?

I’m a plant. Please stop yelling.

Then humans decided the world wasn’t big enough, and they hopped on boats. Lots of boats. Boats going everywhere, loudly claiming land that already belonged to someone else.

Guess what those boats were made of.

Me again.

Sails. Ropes. Rigging. Maps. Journals. The paper used to declare ownership of places humans had just arrived at five minutes ago. I crossed oceans without ever asking for a passport.

I arrived in climates I’d never dreamed of growing in. New soils. New sunlight. New accents yelling about land ownership, manifest destiny, and the shocking inconvenience of existing cultures.

I watched colonization unfold from crates and pockets. Humans argued about borders while I quietly sprouted wherever someone dropped a seed, doing what I’ve always done.

And I noticed something important.

Everywhere I went, people already knew me.

Different names.

Same results.

When I arrived in the Americas, I was immediately put to work. Encouraged. Promoted. Applauded.

George Washington grew me. Thomas Jefferson grew me. They wrote about freedom while wearing me and writing on me, which I found poetic and slightly ironic even then.

“Grow more hemp,” they said.

“It’s essential,” they said.

“This country depends on it,” they said.

I was feeling pretty good about things.

That feeling did not last.

At some point, humans decided I wasn’t dangerous because of what I did.

I was dangerous because of \*who used me\*.

Immigrants brought me. Laborers relaxed with me. Musicians loved me. People without power found comfort in me. Suddenly, I wasn’t a plant anymore.

I was a symbol.

A scapegoat.

A headline.

They changed my name, which was very important.

“Cannabis” sounded scientific.

“Hemp” sounded useful.

“Marijuana” sounded foreign.

That was the point.

Fear needs an accent.

Newspapers blamed me for violence, laziness, moral decay, and jazz. Especially jazz. I was accused of crimes I could not physically commit, including convincing teenagers to abandon capitalism, question authority, and dance.

Which, to be fair, I may have helped with the dancing.

Then came the laws.

Big ones. Loud ones. Confident ones. Laws written by people who had never met me but felt very strongly about what I represented.

I was banned.

Just like that.

One day I was a crop. The next day I was contraband. My fields were burned. My growers were jailed. My name was whispered like a curse. Knowledge disappeared. Fear replaced it.

And here’s the funniest part.

Alcohol? Fine eventually.

Tobacco? Untouchable.

Me?

Absolutely not.

I went underground. Literally and figuratively. I learned secrecy. I learned patience. I learned how resilient humans can be when they’re told not to do something that clearly helps them cope.

I grew stronger. Stickier. More aromatic. Humans learned to grow me in closets, basements, attics, and very questionable sheds with extension cords running through windows.

I became a secret handshake. A code word. A shared lighter.

Jazz clubs. Beat poets. College dorms. War protests. Long conversations that started with, “Hear me out,” and ended with someone realizing something about themselves they’d been avoiding.

I wasn’t just surviving.

I was thriving.

And through all of it, through every law and panic and propaganda campaign, I never changed my intentions.

I didn’t want to overthrow governments.

I didn’t want to corrupt youth.

I didn’t want to ruin productivity.

I wanted sunlight.

Water.

Soil.

Everything else?

That was on you.

\*\*Chapter 3: Hippies, Science, Legalization, and Why I’m Now Sold Like a Wine That Knows Too Much\*\*

By the time the 1960s rolled around, I had fully accepted one simple truth.

Humans were not going to calm down.

I had survived empires, inquisitions, propaganda campaigns, public burnings, and being blamed for jazz. I had been renamed, reframed, outlawed, and misunderstood on multiple continents. I thought I had seen every possible version of human overreaction.

Then came tie-dye.

It arrived suddenly, loudly, and with opinions. Colors everywhere. Music drifting through the air like it didn’t need permission. People smiling at nothing in particular and meaning it.

Suddenly, I was everywhere again.

Not quietly this time.

Not hidden.

Not whispered.

Loudly. Publicly. With guitars.

Young humans discovered me the way humans always do, by pretending they invented me. They talked about me like I was a brand-new idea instead of an old companion they’d just remembered. They wore flowers, rejected authority, and looked at the sky like it owed them an apology.

They passed me around in circles. Not hurried circles. Patient ones. Circles where nobody was in charge and that was the point. They talked about peace, love, and how money was fake, usually while needing money immediately afterward. They stared at their hands for extended periods of time and treated this as a breakthrough.

Sometimes it was.

Sometimes it was just hands.

I didn’t mind.

After decades of hiding in shadows and corners, I was back in the open air. Sunlight again. Music again. Laughter that wasn’t afraid of being overheard. I watched people bond, laugh, cry, argue, forgive, and write songs they absolutely believed would change the world.

Some of them did.

Some of them just forgot where they put their shoes.

I helped with both.

But while flowers bloomed in one place, bombs fell in another.

War does that. It ignores whatever era you think you’re in.

I was there too.

Not on the posters. Not in the speeches. I sat beside soldiers who couldn’t sleep. I softened memories that refused to stay in the past. I dulled the sharp edges of days that had gone very wrong. I became a small mercy where very few were offered.

No headlines covered that part.

No parades thanked me for that work.

Humans argue loudly about morality while quietly relying on relief. I learned that lesson early, and I watched it repeat.

Eventually, lab coats entered the conversation.

Science showed up with clipboards, charts, and questions that weren’t shouted. Scientists looked at me with curiosity instead of fear. They didn’t start with accusations. They started with, “What exactly are you doing in here?”

That was new.

They discovered receptors in the human body that seemed almost custom-made for me. Little biological locks waiting patiently for keys I happened to fit.

This caused a moment of collective confusion.

“Why would the body have this?” they asked.

I wanted to say, \*Because we’ve been hanging out for thousands of years.\*

But plants are not allowed in peer-reviewed journals.

They isolated compounds. They named them. They argued about them. They discovered I wasn’t one thing. I was a collection. A whole chemistry set disguised as a leaf.

THC got all the attention. CBD quietly did the work. The others waited patiently, like background characters who would eventually steal the scene.

Doctors who once warned against me started prescribing me. Parents who once feared me started asking questions. Grandparents who absolutely tried me once in college pretended this was entirely new information.

Relief, it turns out, is very persuasive.

Then came legalization.

Or rather, the long, awkward shuffle toward it.

Paperwork returned. Meetings. Votes. Ballots. Committees. Committees to study committees. People arguing about percentages like I was a math problem instead of a plant that had existed longer than their institutions.

Slowly, cautiously, places began to say, “Fine.”

Not everywhere. Not all at once. But enough to feel the shift.

Doors opened.

Lights came on.

Whispering stopped in some rooms.

And then something truly strange happened.

I became fancy.

I was no longer a baggie tucked into a pocket. I was a menu. A curated experience. A lifestyle choice presented on matte paper with minimalist fonts.

Humans walked into brightly lit stores and asked questions like:

“Is this more creative or more sleepy?”

“What pairs well with existential dread?”

“I don’t want to be high, just… improved.”

I was sorted into jars with names like “Cosmic Gorilla,” “Lavender Apocalypse,” and “Steve.” I was labeled with terpene profiles, potency percentages, and flavor notes.

Flavor notes.

I have dirt in my DNA.

But fine.

I watched humans sniff me thoughtfully and say things like, “Ah yes, hints of pine and childhood memories,” as if they weren’t describing a leaf that had spent its entire life outdoors.

I did not argue.

Then humans decided smoking wasn’t enough.

They decided they wanted to eat me.

This was a mistake. Not for me. For them.

They forgot digestion is a journey. They forgot patience is a virtue. They forgot that saying “These edibles ain’t shit” is an invitation for consequences.

I taught many lessons during this era.

Time dilation.

Humility.

Couch physics.

The sudden realization that you do, in fact, need water.

You’re welcome.

Now I exist in a strange duality.

In one place, I am taxed, regulated, marketed, and reviewed online by someone named Tyler who considers himself an expert after six months. In another place, I am still illegal, whispered about, punished harshly, and misunderstood.

I am both mainstream and taboo.

Wellness and rebellion.

Medicine and meme.

I watch humans argue about me on the internet while ordering me on an app.

I have seen worse contradictions.

Through all of this, I remain unchanged at my core.

I still grow toward light.

I still respond to care.

I still do not understand your obsession with control.

I am still here.

Not because I won.

Because I waited.

\*\*Chapter 4: The Future, the Dream, and What Happens After Humans Finally Chill Out (Maybe)\*\*

I don’t usually talk about the future.

Plants aren’t supposed to. It makes humans nervous. They like us predictable. Rooted. Silent. Decorative. Useful, but not opinionated. But I’ve been underestimated before, and if there’s one thing history has taught me, it’s that pretending I don’t see what’s coming has never stopped it from arriving.

So let’s talk about what’s next.

Not the press-release version.

Not the stock-market version.

Not the version with buzzwords and smiling people in stock photos.

The real one.

In the near future, humans will finish doing what they’ve already started.

They will stop arguing about whether I should exist.

This won’t happen with fireworks. There will be no grand apology from history. No official moment where someone clears their throat and says, “So, about that whole prison thing…” No parade. No statue. Just a slow, awkward acceptance that quietly replaces outrage with paperwork.

That’s how humans usually admit they were wrong.

Quietly.

Gradually.

While insisting it was always obvious.

I will become normal.

Not exciting normal.

Boring normal.

The kind of normal where doctors prescribe me without lowering their voices. Where parents stop pretending they don’t know what gummies are. Where politicians stop using my name as a scare word during election cycles. Where someone’s aunt mentions me casually at brunch, right between complaining about parking and asking if anyone wants more potatoes.

You’ll say things like, “Yeah, I take a little for sleep,” the same way you once said, “Yeah, I drink chamomile tea.”

And I will think, \*Ah. We’ve arrived.\*

Then, inevitably, humans will do what they always do next.

They will go too far.

There will be cannabis everything.

Cannabis water. Cannabis toothpaste. Cannabis bath bombs. Cannabis-infused office furniture. Cannabis yoga taught by someone named River who does not believe in chairs, electricity, or the concept of time.

I will be added to products that absolutely do not need me.

At least three of these will be cursed.

I will appear in marketing slogans that say nothing while sounding profound. Someone will trademark a phrase I once heard whispered around a fire thousands of years ago and sell it back to you on a hoodie.

This is fine.

I have survived worse.

Eventually, the novelty will wear off. It always does. And when it does, something better happens.

Humans will start asking better questions.

They will stop asking, “Does it get you high?”

And start asking, “Why does it work differently for everyone?”

They’ll map me more deeply. Not just THC and CBD, but the symphony behind them. The minor characters. The unsung terpenes. The entourage that turns a single note into an experience.

They’ll realize I am not a hammer.

I am a tuning fork.

Doctors will personalize me. Not by strain names that sound like indie bands, but by chemistry, genetics, mood, history. You’ll stop pretending one solution fits everyone.

You’ll stop saying “weed” like it’s one thing.

And I will quietly nod.

One of my quieter hopes for the future is this:

Humans will stop treating mental health like a moral failing.

Anxiety will not be laziness.

Depression will not be weakness.

Rest will not be rebellion.

I will be part of that shift, but not the hero. Just one tool in a better kit. A bridge between suffering and softness. Something that helps people breathe long enough to ask for help without shame.

Used carefully.

Used respectfully.

Used with context.

I was never meant to replace therapy. Or effort. Or growth.

I was meant to support them.

Plants are good at that.

In time, humans will remember something ancient.

That intention matters.

You’ll stop consuming me like fast food and start meeting me like a guest. Ritual will return. Not religious ones necessarily. Human ones.

End-of-day joints that mean, “I am done striving.”

Creative sessions where I am invited, not abused.

Evenings where laughter is allowed to take its time instead of being rushed out the door.

You’ll stop asking what I do \*to\* you, and start noticing what I do \*with\* you.

I like that future.

Further down the road, when humans finally stop pretending they are separate from nature, I will not be alone.

Plants will get a seat at the table.

Not literally interviewed, but respected as systems older than language. Agriculture will shift. Sustainability will stop being a buzzword and start being mandatory. Soil health will matter more than quarterly profits.

You’ll grow me with the land instead of against it. You’ll stop forcing me to behave like a factory product and let me be what I am.

Resilient.

Adaptive.

Honest.

You might even notice that when you treat the soil better, everything else improves.

Wild, I know.

Eventually, the cannabis industry itself will have to grow up.

The novelty will fade. The gold rush will end. The people who were only here for profit will wander off to the next shiny thing. What remains will be caretakers.

Farmers.

Scientists.

Healers.

Artists.

People who understand that working with a plant is a relationship, not a domination.

I will breathe easier then.

In the far future, when cities look different and language shifts again, I will still be growing somewhere. In cracks. In fields. In places where someone needed calm before they knew how to ask for it.

Humans change fast.

Plants don’t.

You may be more technological. More augmented. More connected. You may finally realize that consciousness is not exclusive to brains.

I will not say, “I told you so.”

I will simply continue.

Because life is stubborn.

I am not the future.

I am with it.

\*\*Chapter 5: What an Old Plant Knows (And Why You Keep Making It Harder Than It Needs to Be)\*\*

🌱🌿

The plant does not pause. It simply keeps talking, the way old things do when they’ve earned the right to.

I am not the future.

I am with it.

And since I’m already here, still rooted, still listening, still watching you reinvent the same lessons with new fonts and better lighting, I suppose I should tell you what I’ve learned.

I’ve had a long time to think.

Thousands of years is a lot of thinking time when you’re not distracted by notifications.

\*\*Lesson One: You Are Not Separate From Nature, No Matter How Hard You Try\*\*

You keep insisting that nature is something “out there.”

A resource.

A threat.

A backdrop.

A weekend destination you visit and then leave behind.

I hate to break this to you, but you are doing nature all the time. With your breathing. Your sleeping. Your healing. Your breaking. Every cell in your body is participating whether you acknowledge it or not.

Every war you’ve fought against nature has been a war against yourself. Every attempt to dominate it ends the same way: paperwork, regret, and cleanup crews.

I didn’t teach you this.

Your floods did.

Your droughts did.

Your bodies did.

I was just standing there photosynthesizing while you argued about it.

\*\*Lesson Two: Growth Is Slow on Purpose\*\*

This frustrates you.

You want instant results. Overnight transformations. Three-step solutions. Before-and-after photos. Progress you can post by Monday.

That’s not how living systems work.

I grow when conditions are right, not when demanded. When rushed, I weaken. When respected, I thrive.

So do you.

You call it patience when it works in your favor.

You call it inefficiency when it doesn’t.

It is neither.

It is biology.

\*\*Lesson Three: Relief Is Not Weakness\*\*

This one matters.

Somewhere along the way, you decided suffering was virtuous. That pushing through pain made you better. That rest had to be earned like a reward instead of treated like maintenance.

You admired exhaustion like a badge.

You distrusted ease like a scam.

When I offered relief, you called it indulgence.

You were wrong.

Relief is not giving up.

Relief is recalibration.

A machine that never cools breaks.

A mind that never rests lies to itself.

I didn’t make you lazy.

I reminded you that you were tired.

\*\*Lesson Four: Intention Changes Everything\*\*

You can tell the difference, even if you pretend you can’t.

The difference between using something and abusing it.

Between escaping and exploring.

Between numbing and nurturing.

I feel it when I’m grown with care. I feel it when I’m rushed. I feel it when I’m treated like a shortcut instead of a companion.

You feel it too.

The problem is not the substance.

The problem is the relationship.

This is true of far more than me.

\*\*Lesson Five: You Keep Blaming Tools for Human Behavior\*\*

Let’s clear something up.

I did not invent greed.

I did not create violence.

I did not ruin ambition.

I did not replace responsibility.

I have been blamed for all of these.

So have alcohol, money, sex, music, books, the internet, and whatever the new thing is this week.

Tools amplify what already exists.

If kindness walks in holding a tool, kindness gets louder.

If cruelty does, it gets a megaphone.

This is not a plant problem.

\*\*Lesson Six: Shame Is a Terrible Teacher\*\*

You tried shame.

You shamed people for using me.

You shamed people for needing me.

You shamed people for enjoying me.

It didn’t work.

Shame never works. It only drives things underground, where they grow distorted and defensive. Where curiosity turns into secrecy. Where learning stops.

Every time you replaced education with punishment, you lost the plot.

Plants grow toward light.

People do too, when you let them.

\*\*Lesson Seven: Balance Is Not Boring\*\*

You’re afraid moderation is dull. That without extremes, life will flatten out. That intensity is the same thing as meaning.

It isn’t.

Balance is dynamic. It moves. It adjusts. It breathes.

A forest is not boring because it isn’t on fire.

A mind is not empty because it is calm.

I am not interesting because I overwhelm you.

I am interesting because I meet you where you are.

\*\*Lesson Eight: You Are Allowed to Change Your Mind\*\*

This one might be my favorite.

You have a strange relationship with being wrong. You cling to past decisions like they are sacred texts. You defend outdated ideas as if admitting growth would erase your worth.

It won’t.

I’ve watched entire civilizations reverse course and survive. I’ve watched individuals rewrite themselves and become kinder for it.

You are not a failure for learning.

You are a failure only when you refuse to.

\*\*Lesson Nine: Control Is Addictive, and It Never Satisfies\*\*

I have watched humans attempt to control everything.

Land.

People.

Time.

Each other.

Me.

You outlawed me.

You patented me.

You monetized me.

You renamed me.

You put me in jars with childproof lids and adult confusion.

None of it made you feel safer.

You told yourselves it was about order.

It was always about fear.

Fear of unpredictability.

Fear of softness.

Fear of stillness.

Plants don’t fear stillness. That’s where we do our best work.

\*\*Lesson Ten: You Don’t Need to Be Fixed\*\*

This may be the hardest one.

You are obsessed with self-improvement. Optimization. Hacking yourself into something more productive, more acceptable, more impressive.

I have never met a plant trying to become something else.

I have met plants adapting. Healing. Surviving. Becoming more themselves.

You don’t need to be fixed.

You need to be listened to.

\*\*What I Wish You’d Stop Asking Me\*\*

Please stop asking me to:

Make you someone else

Solve problems you refuse to face

Replace connection

Do all the emotional labor

I am a plant, not a personality transplant.

\*\*What I’m Happy to Offer\*\*

I can:

Slow things down

Soften sharp edges

Open a door inward

Make silence feel less threatening

Sit with you while you remember who you were before the noise

That’s it.

It’s enough.

\*\*What I’ve Learned About You\*\*

You are brilliant and reckless. Compassionate and terrified. Capable of building wonders and burning them down out of boredom.

You keep rediscovering ancient truths and calling them breakthroughs.

You forget easily.

You love deeply.

You overcomplicate joy.

You are not broken.

You are unfinished.

\*\*And Finally… A Closing Thought (Jerry Springer Style)\*\*

So here’s my final word to humanity, said plainly, from a very old plant who has seen you at your worst, your best, and your most confusing:

You don’t need to escape your life to survive it.

You don’t need to dominate nature to belong to it.

You don’t need permission to rest.

You don’t need shame to grow.

Use what helps.

Respect what teaches.

Question what controls.

And maybe stop yelling at each other about leaves and all the other trivial things you’ve turned into battlegrounds.

Take care of yourselves.

Take care of each other.

And BECOME MORE.

But I’m just a plant.

What do I know.

🌱

 


r/fiction • • 20h ago

My Friend’s Cousin- Chapter 6

Thumbnail
wattpad.com
1 Upvotes

r/fiction • • 1d ago

Dishes and Groceries

1 Upvotes

The story isn't AI generated but it is AI edited, if that's still against the rules then please feel free to take it down

Dishes and Groceries

The sky was beige, as usual, and something large slid slowly across the fog, a darker patch gliding over the haze. Kenji yawned and went to find his slippers.

He woke the way he always did, with a groan and a scratch somewhere a gentleman doesn't scratch. Then he shuffled into the living room, where his roommate Dale sat cross-legged on the couch, thumbs mashing a controller, eyes glued to the screen.

"Morning," Dale said, not looking up.

Kenji grunted and went to the kitchen. The sink was full. Plates, bowls, a pan with something that had once been eggs. He stared at it, and for one long second, something cold and quiet slid through his mind. A thought with teeth. His hand tightened on the edge of the counter.

Then it passed. He opened the fridge.

"Oh, hey," Dale called, "we're out of water. And, like, everything else, probably."

The cereal box was empty. Of course it was. Kenji grabbed the milk and tipped it back. It wasn't empty. It had gone off, thick and sour, and when he sniffed it, it smelled like peaches.

"Yeah, I put some peach juice in it," Dale said. "Seemed like a good idea."

Kenji set the carton down very gently. The air in the kitchen seemed to hum. His shadow stretched a little too far across the floor. Dale kept playing. And then Kenji picked up his keys and walked out the door, still in his sleep shirt and pajama pants.

He climbed into his car, a tired little red hatchback with a dent in the door he'd stopped noticing years ago. A couple of sticky notes lay near the dashboard, and he ignored them, because Dale's littering was a problem for another day. It started on the second try. He drove through streets where a skyscraper-sized thing made of antlers drifted past, humming, and two figures in black armor argued over a parking spot. Somewhere above, a god was crying into a cloud. Kenji nodded politely at all of it and signalled left.

The Savemart sign buzzed above the entrance, the tagline underneath half lit: "Aisle Be Back." Kenji pushed through the automatic doors, which took a moment to decide he was real, and grabbed a cart with a wobbly wheel.

He started down the first aisle in his pajama pants. A kid in a yellow dinosaur raincoat sat in the bottom of a cart, gnawing on a bag of dry rice, scuffed sneakers swinging. Beside the cart stood a tall woman in a sharp grey suit, one hand on the handle, dark hair pinned up, red nails. Two eyes were on her phone, and the last one was on the jar of pickles. Good posture. Kenji assumed she was the kid's mother, because of the cart. A broad man in a hi-vis vest restocked the canned beans, grey stubble, forearm tattoo of a swallow, whistling something out of tune. Further down, an elderly man in a cardigan held a yogurt at arm's length, lips moving, checking the date against his watch.

In the next aisle, a pale thing with too many elbows was comparing two cans of soup, and a faint chanting came from somewhere near the frozen peas. Kenji reached past a tentacle for the milk, the real kind, and a gallon of water, and said "Sorry" without looking.

He nodded at all of them, grabbed two boxes of cereal, because Dale, and rounded the corner by the bread. And of course, Jeff, squinting at the price of some English muffins. "Hey, man," Jeff said. Kenji said, "Hey, Jeff." Jeff said, "Cool," and went back to the muffins.

At register three, wedged between the checkout conveyor belt and a display of gum, hovered a vast dragon made of flesh, with plenty of eyes along her sides and plenty of teeth, upper and lower, and some on the shoulders for chewing. She was digging through a coin purse with one enormous claw, lips pursed, muttering.

"One, two, three... no, wait. One, two..." She sighed, and a pack of gum rattled faintly on its rack. "Oh, I had it a minute ago."

Kenji stood fourth. He sighed, stepped forward, and said, "Ma'am, do you want help with that?"

She turned a lot of eyes toward him. "Oh, would you, dear? These nickels are murder."

So he counted. Nickel by nickel, he walked her through it, while she patted his arm and called him a good boy. Just as the total finally matched, she beamed with all her teeth and then froze.

"Oh no," she said. "I forgot the wheat bread."

Kenji looked at the checkout conveyor belt, groceries sliding by. It hummed. His left eye twitched, once.

She shuffled off and came back with a loaf, and they started over, from one. Nickel by nickel, bread included, he walked her through it again, slower this time, every number checked twice. The total matched. She beamed.

"Oh!" she said, tapping her purse. "And I have my rewards card in here somewhere."

She dug. A library card, a button, a photo of someone's cat. Kenji watched the nickels on the counter, and the cold thing uncurled at the back of his mind, a thought with teeth, quiet and very patient.

They started over again, discount applied, then misapplied, then applied again. Somewhere around the fortieth nickel, his hand closed around the cart handle until the knuckles went pale. The whole checkout seemed to lean toward him, waiting.

Then he was standing in the parking lot, by the car, holding his bags. The little red hatchback sat where he'd left it, a bit of sun on its dented door. He got in, put the key in, and turned it. The car clicked, coughed, and went quiet.

He tried again. Nothing.

That's when he finally looked at the two sticky notes on the floor mat. The first, in Dale's handwriting, said: "Out of gas." The second said: "Also, dashboard's broken. Sorry!"

Kenji read them twice. Then he got out, took his bags, and started walking.

It was a long walk. Kenji carried the bags in both arms, pajama pants whispering against his legs. The street was busy in the usual ways. A lamppost leaned down to read the paper over a man's shoulder. A woman walked a leash with nothing at the end of it and seemed happy about that. The antler thing from earlier drifted back the other way, humming, and a shadow trailed him a half step behind, not quite matching his own. He didn't turn around. He kept his eyes on the sidewalk and his hand tight on the milk.

Then his phone buzzed against his hip. He juggled the bags, got it out, and read the text from Dale: "hey so I gave our key to a guy. few people coming over!! hope that's cool"

Kenji stopped.

And the street stopped with him. The antler thing hung in the air. The armored figures stood with their mouths half open, mid-argument. A pigeon sat on a wire with one foot raised. Even the gum wrapper on the pavement stopped halfway through its tumble. His shadow stretched out ahead of him across the sidewalk, longer than anything could explain, and darker at the edges, like ink soaking into paper. He didn't look at it. His breathing slowed, and something in his shoulders settled, the way a person's do when a decision has quietly been made.

Then the world let go. The antler thing drifted on, the armored figures picked their argument back up, and the pigeon landed, as if nothing had happened.

"Okay," Kenji said, softly, to no one.

And then he kept walking.

He climbed the stairs. He unlocked the door and stepped inside to the sound of a distant explosion, followed by Dale swearing at someone named xX_Deathgrip_Xx.

His eyes went to the kitchen, the way they had that morning. The sink was empty. The plates were stacked in the rack, the pan clean on the stove. He stood there with the bags hanging from his arms, game noise rattling from the living room, and something in his shoulders came down, slowly, an inch at a time. He set the bags on the counter and started unloading: cereal, water, a carton of regular milk, and a carton of peach milk, which he set a little apart from the others.

"Hey," Dale called over the gunfire. "Come here, I saved you something."

Kenji walked over and sat. Dale paused the game, handed him a chicken sandwich, and he ate it slowly, looking at the wall. After a while, he held out the carton of peach milk. "Here."

Dale took a swig, grinned, and unpaused. Kenji watched him for a long moment, long enough that the room seemed to wait under the sound of the game, and the light from the window dimmed a shade. Then it passed, as if there were some reason, quiet and private, that this particular man was still around.

Dale lowered the carton, made a face, and said, "This tastes like crap, by the way."

The End.


r/fiction • • 1d ago

Real ways to get away with murder that 100% works

1 Upvotes

Tryna make a work o fiction which the murderer is never caught. Trust me.


r/fiction • • 1d ago

Fear of Sleep Phobia – Somniphobia or my own dilemma

1 Upvotes

I don’t remember the last time I slept. It’s not that I don’t want to sleep, but I am afraid to sleep. This strange fear of sleep has originated in me since my grandfather passed away. He went away in his sleep. Just twenty minutes before sleep, he called me on my phone, and shared his guilt. It was related to someone I didn’t know. But I had no time, next day I had work. So I told him I will call him on weekend. He sounded kind of sad, after that. Maybe he really wanted someone to talk to and just like that he slept, and never woke up. I was there beside him in the hospital. I hold his hand. It just felt empty, just an empty container with no soul. I don’t understand the concept of people building the statues, or people gathering and talking good about the dead person. I mean, the deceased person is not there. He can’t hear us, he can’t see us, he simply doesn’t exist as a matter of fact. The person is just a concept in our mind. A part of our memory. But I think that's what makes us human. Some concepts are beyond our understanding. Because every single one of us is going to die, somehow. And what we don’t want is people to not forget us, we are afraid to not exist. But even people in whose memories we shall exist after we die, they too will eventually cease to exist. My grandfather was a good man. I was close with him. He was everything I had. After my parents passed, he took care of me. After graduating, I started to work. So I lived in a rented house near my office. After my dinner, I called him from a nearby PCO. I tried to save money as much as possible. So I always chatted less on those red box phones. But I wish I had talked more with him that day. Now I am my grandfather’s age. The more I age, the more I need someone to talk to...


r/fiction • • 1d ago

My Friend’s Cousin- Chapter 5

Thumbnail
wattpad.com
1 Upvotes

r/fiction • • 2d ago

There's a Hitman in My House.

1 Upvotes

Day 365

By day 7, he had forgotten his name.

He checked his journal.

He remembered he had stolen the vaccine from the government. He remembered trying to destroy it over 3 days, the failed chemicals, the hole in his garden and the dirt under his nails.

He remembered injecting himself.

After this, his memories started to fade.

He would stay awake for 365 days. Never need to eat. And his brain would always be active.

The other side effects were:

No impulses, love, being loved or wanting.

He had highlighted the word ‘minor’ twice.

He opened his journal.

'I’m sorry Myself. I’m starting to feel like I’m changing. I haven’t slept or eaten and I don’t know where I am.'

He stopped writing.

From somewhere, a door slammed.

He looked at the page.

'I’m nobody. I am...'

He couldn’t finish.

He had stolen the vaccine because he didn’t want the government to have it.

But why?

He turned back to the start of his journal.

And the first page was blank.

2.

Sami was 22 and worked nights in a medicine warehouse.

He liked working nights as people didn’t expect as much from him when they couldn’t see his face.

He practiced his order. He would say 'can I have a coffee please?' and 'you too’. When the cashier said 'enjoy your meal’, he replied.

"I’m not eating."

He was still thinking about it 4 days later.

His mum had called twice. He would call her when he had something to say other than ‘fine’.

He had his lunch at 3am beside a vending machine that said SORRY when it didn’t have any.

He had started to reply.

On Tuesday, a man in a hoodie walked into aisle nine.

He had a white coat sleeve showing from his cuff.

He picked up a box of vials.

Sami gasped.

"Please."

He looked down.

Hospital clogs.

Left one had a dinosaur sticker.

"Okay." He whispered.

The man left.

Sami stood there until the automatic lights turned off.

He filled in an incident report.

No incident.

He hesitated.

Sorry.

The next day someone would ask him about the man.

They would ask for his face.

He would remember his shoes.

3.

The doctor had never stolen before.

He had a 6 year old patient needing 6 vials of medicine. The hospital wouldn’t pay and the pharmacy wouldn’t either. Dondizia said each vial was 11 months of a nurses salary.

He counted the vials in the warehouse.

6.

He counted the money in his pocket.

Didn’t have enough for one.

He counted again.

This is how he became a criminal.

By morning he had stolen the box.

By evening he was a fugitive.

By next week he was a secret doctor. He was treating children in kitchens, stairs and back rooms with only the light from his phone. He was getting paid in soup.

He learned to eat quickly.

And leave before anyone asked for his name.

But then...

Someone asked for his face.

The doctor stopped looking in mirrors.

He had a patient to save but someone had decided his face was valuable.

4.

The ex-government worker was looking at the shoes. The hitman found him.

He had been in the shop for 40 minutes.

He wasn’t going to buy anything.

He liked the young man at the till. He was staring at the counter.

Someone came up behind him.

"Where?"

He looked at the black shoe.

"Where?"

He moved to the side.

The man behind him pulled out his phone.

He looked at the screen on the leather.

"You’re here because of the vaccine. I stole it."

He tried to smile.

It looked genuine but his eyes were off.

The hitman blinked twice.

"C’mon."

The worker followed.

Outside there was a helicopter.

As they flew above the city, he looked down. People were disappearing. Cars were dots. Buildings were shapes. Eventually the shapes disappeared.

He felt nothing.

"Who are you taking me to?"

"Alvaro."

"Who is Alvaro?"

The hitman looked at him.

For a second he thought he would answer.

But he looked back out of the window.

5.

The man against the wall blinked twice.

Sami knew this meant a question.

"Describe the man who stole the box."I don't look at faces."Give it a go."

Sami swallowed.

"Hospital clogs. Left one had a dinosaur sticker."

The man waited.

"He said please. I think he was talking to the floor."

"Anything else?"

Sami thought.

"He was holding the box like it was heavy."

The strangers face changed.

Just a little.

"Thank you."

Sami looked up.

No one had ever thanked him.

The stranger left without writing anything.

Sami watched him leave.

Had he noticed his shoes were black?

Did anyone ever notice?

He called his mum that evening.

She answered on the first ring.

He couldn’t think of anything to say.

6.

The advert came out that month.

The doctor was treating a child in a kitchen above a laundromat when the TV flickered on.

A woman smiled.

CALM. 1 DOSE. 1 YEAR. $1.

Because wanting hurts.

The doctor looked at the screen.

The child’s chest rose under his hand.

The government approved Calm in 9 days. The minister said it was brilliant for the economy.

The woman smiled again.

The doctor looked at the empty vial next to the child.

11 months of a nurses salary.

$1.

What would happen if the girl took it?

Would she stop being scared?

Would she stop asking for her mum?

Would she still reach for his hand?

The advert showed a family having dinner.

The doctor turned off the TV.

In the dark the child opened her eyes.

"It hurt?" She asked.

He looked at the vial.

"I don’t know."

He had given her the first truthful answer.

7.

No one knew Alvaro dis Dondizia’s face.

No one knew his name.

The hitman knew.

Alvaro was the richest man in the world. But if he was standing behind you in a queue, you wouldn’t recognise him.

The government wanted the vaccine.

But Alvaro wanted something the vaccine alone couldn’t give.

Someone who couldn’t feel sad.

He needed someone to survive.

On day 365 the ex-government worker was in a room with Alvaro and a few masked men.

Alvaro’s mask was different.

The hitman leaned against the wall.

A subordinate was eating pasta.

"We can make a 1 year version using the blood. It’s safe enough for anyone."

The worker looked at his hands.

"The government will sell it for $1."

Alvaro asked,

"And you’re giving it away?"

The subordinate twirled the pasta on his fork.

"Of course."

The worker waited.

He had waited a year.

For the last side effect. For him to die suddenly. To feel something.

Nothing happened.

He had survived the vaccine.

Alvaro tipped his head.

His mask looked almost happy.

For the first time in a year the worker wondered if surviving had been a mistake.

8.

There is a reason I haven’t told you what Alvaro looks like.

I could have described his mask.

I could have described his clothing.

But I told you no one had ever seen his face.

And you believed me.

You believe a lot of things when they are confidently told to you in a story.

Alvaro dis Dondizia is the dog on your pillow.

You named him Alvaro.

When you asked for his surname you read it off the vial in your hand. Dondizia.

Dis Dondizia.

No one has seen his face because you have kissed it off.

He is the richest man in the world because he has never once gone without you.

The government is the cat on the windowsill. Watching. Wanting nothing. Eating anything we leave.

The helicopter is on the shelf. One blade is broken.

The pasta is what you didn’t finish at dinner.

The shoes are by the door.

And the hitman is leaning against the wall I am.

You asked me to write a crime story. Where no one wanted anything.

You said wanting hurts.

I tried.

I gave a man a year without wanting. No hunger, no sleep, no love. Made him unable to want anything and watched him walk into a shoe shop.

I hated him.

He was just a man looking at shoes with someone behind him.

I would rather be scared for you every single day, than calm.

The journal was mine.

I wrote it in a stairwell on the night I stole the box.

'I’m nobody. I am...'

I couldn’t finish it for him either.

Everything is made up except...

The vial.

It’s real.

Plain. White. Expensive.

It’s in you right now. Slowly working.

Sami is real.

I don’t know what he looks like. He wouldn’t look up.

He’s why I’m still here.

And the hitman.

He has been leaning against the wall since the first line.

I have been whispering this story to you so you wouldn’t wake.

So he would have time to listen.

He blinks twice.

He is looking at you.

At the faceless dog.

At the little shoes by the door.

"Where?"

I know what he means.

"You’re here about the medicine. She took it."

I smile.

It isn’t fake.

It hurts.

I’m happy.

I tip my head.

I move to the side so I’m out of your light. I look at you.

"C’mon."

Sleep reader.

I’m still deciding.


r/fiction • • 2d ago

Historical Fiction Five days left... Her days are numbered ⏳️📚🎭

Thumbnail
gallery
1 Upvotes

Five days until the release of Maletswai Part 1 by Tshepo Damane.

Set in a Basotho village in 1879, this psychological drama explores fear, suspicion, and how a community's beliefs can shape the way people perceive a troubled young girl.

Originally developed as a school play and performed by a cast of 15, Maletswai now makes its transition to ebook publication.

For readers interested in African historical settings, psychological drama, and characters whose true intentions remain uncertain, this story offers a mystery worth exploring.

📖 Pre-order on Amazon Kindle: https://a.co/d/06tJ3n5o

Discussion question: What makes a fictional character genuinely unsettling — their actions or the uncertainty surrounding their intentions?

#Maletswai #AfricanLiterature #PsychologicalDrama


r/fiction • • 2d ago

They Didn't Come

Post image
2 Upvotes

Lawrence was the last to arrive. Being the last meant not caring enough. At least that's what his mother thought, tucked between two Mourners, a white headscarf barely covering her head. She saw him barging into the room where the Mourners were whispering rumors about the Dead Man. She scolded him with a subtle nod toward the adjacent room reserved only for men. They weren't in Ohio now. The customs required men and women to be separated at such gatherings.

Embarassed, Lawrence trotted to the other room with a sheepish smile on his face, his way of greeting the Mourners. He tried his best not to look at them in the eye; a foreign man couldn't look at a foreign woman like that. But he failed. He entered the room filled with Smokers not without catching Fatma's curious glance at his way. And he did something he definitely shouldn't have. He raised his hand in a brief, friendly hello. Fatma quickly turned her head away, pretending to adjust her headscarf, and looked at her mother, who was startled at Lawrence's gesture just as much as the rest of Mourners. Lawrence swallowed hard; he knew he had crossed a boundary. The Mourners began to whisper more loudly, as if to reproach the young man's behavior without speaking to him directly. Fatma's mother gestured briskly at her to go to the kitchen. The girl stood up slowly and walked out of the room as quickly as she could. The Mourners shook their heads. That was unacceptable.

But Lawrence didn't see any of this. After waving at her, he had practically thrown himself onto a cushion on the floor, the farthest one from the door, earning scolding glances again, this time from the Smokers. Why were they being like this? Both men and women? It was as if they were constantly treading on a thorny road barefoot, expecting some shameful thing to happen at any moment. And what was the thing with Fatma? He only had greeted her, the way anyone would when they encounter the first girl in the whole village who had the courage to talk to them.

“Burada yok elektrik,” had said the girl. “There's no electricity here.” Lawrence had learned the meaning of her words much later. She had pointed at somewhere up, somewhere he couldn't see. But he had seen the birds flying overhead and the white hand rising to the sky, embellished with what local people called “xena”. Her hands were beautiful. Her eyes were beautiful. But damn, how quickly she had turned away and rushed to the stable when he smiled and said he didn't know Turkish.

“Those people are allergic to smiling,” Lawrence thought and didn't touch the tea a little boy had placed on the floor, right in front of him, with two sugar cubes standing beside that small, curvy glass, inside the saucer. The villagers didn't know English. They were speaking Kurdish with each other, but whenever Lawrence or his mother asked something, they were immediately switching to Turkish or calling someone who knew it. As if communicating that way was somehow easier. “They're Kurds,” Lawrence told himself, trying to ignore the soft pat on his shoulder from an old man sitting beside him. He and other Smokers were encouraging Lawrence to drink his tea, thinking that the young man was just shy. When Lawrence rejected the tea with a shaking of his head, they all smiled at him, and that made him pause. Since the day he came to this village, people were smiling properly at him for the first time. Not because they were polite or shy, but because they were amused. They could've even laughed. Laugh. Right. At a funeral.

Lawrence offered them a smile, wondering if they'd flee as Fatma did. But the Smokers returned his smile with their own, warmer and more amused this time. They pointed at his tea, told him to drink it with a word that had only one syllable. He had observed that whatever word those people use to say “drink” in Kurdish had two syllables. But in Turkish, it was only one syllable. Something in that irked Lawrence. He took a sip from his now-cold tea.

…

“Not every Kurdish village is like this. I've seen villages where we could talk to everyone, sit with them, both with women and men. They laughed together, ate together, sang, and even danced. I don't understand why you don't…”

Rojhat stopped Lawrence there, holding his hand. That was long, and he had to translate that well. A group of kids and young girls had gathered around him and Lawrence, waiting for Rojhat to tell them what the stranger was saying. It was a hot June day. Three weeks had passed since the funeral of the Dead Man. The river they sat near was still running cold. Lawrence was surprised at that. It was almost the middle of the summer, yet the water was still too cold to swim in.

“She say, you don't swim there,” had said Rojhat, translating Fatma's words, when Lawrence couldn't understand her. The lad was a high school student from somewhere the villagers called the City. He had curvy black hair with a nice, dark complexion that made him look like a handsome Spanish actor, if he hadn't had that big nose. Despite the small age difference between them, Rojhat seemed like a little boy to Lawrence; all curious, easily excited, and boastful that he had learned some English at the school.

Then other kids had come. One by one, hiding behind each other's backs with shy giggles. Lawrence had pretended not to see them, and other young girls now approaching slowly, wearing the same white headscarf as Fatma. He hadn't want to scare them. He had wanted them to stay for a change, and for this, he hadn't even looked at Fatma, who had tried to hide her smile with her hand, her hand with xena, as the handsome interpreter stitched the words from Turkish, Kurdish, and English together and sputtered them at once. Fatima had shaken her head and looked away, unable to hide her laughter anymore. Rojhat had laughed, too, turning to Lawrence with a shrug.

“They smile. Boys, girls, women, and men. But only when it's appropriate. Only when it's okay.”

Rojhat tugged at Lawrence's hand once again and pointed at a girl in the group. “Besna,” he said. Lawrence looked at her, the niece of the Dead Man. “Uncle means father here. Be careful,” had warned his mother. He never understood that. Besna was smiling now, wasn't she? She didn't lose her father. No one would remember the Dead Man again.

“She ask, will soldiers come?” continued Rojhat. “Here? To Van? For war? You know, Iraq?”

Lawrence looked at Rojhat. The same curiosity on his face as the other young villagers around him. The same seriousness that comes abruptly. Fear, maybe. They weren't talking anymore; the giggling had stopped. Even Fatma was looking at him now, and the other young girls, too. They weren't hiding their faces, they weren't pretending to adjust their headscarves. Silence.

“Will they come?” repeated Rojhat. “Soldiers? American?”

Will Americans come here? No, why would they? Sure, the country didn't want to get involved in the war. They opened the borders for refugees, didn't the newspapers say that? People had to flee. They waded through mud. Some died on the way. Many died. Kids. Young girls. Kurds. They didn't know Turkish. They didn't know English. They fled. Birds fled. Fatma fled.

“No. No, I don't think they'll come. The US is a friend of Turkey.” Words came out of his mouth silently and without his control. His gaze was still on Fatma. She was biting her nails, her nails with xena.

Rojhat let out a sigh of relief and turned to the kids with a smile. He talked, in Kurdish, making excited gestures and laughing. The kids and the young girls laughed, too. The boys clapped their hands and repeated after Rojhat: “America is friend. America is friend.” They mocked each other for not saying the English words as well as Rojhat or Lawrence. The young girls brought the ends of their headscarves to their mouths, hiding their smiles. Again. It was okay to smile. It was okay to smile now that the soldiers wouldn't be coming. They wouldn't be coming, right, Lawrence?

…

“There's no Wi-Fi here.”

Lawrence looked up and saw the waitress, an elderly woman with a polite smile plastered on her face.

—No?

—No. The storm must've cut off some cables, I guess. Do you want coffee?

—Oh, no, thanks.

He gathered his notes, laptop, and books into his arms and made his way to the exit, even though he didn't have to. It took him a while to remember why his computer wouldn't connect or that he forgot his phone in the car. “You've been careless,” had warned his wife. He never understood that. The waitress watched him until he managed to arrive at the parking lot without dropping a single thing.

Lawrence placed his belongings on the front passenger seat. The springs complained with a series of low creaks, reminding him, once again, that his mother's old friend from her journalist days didn't have much time left. Just as he didn't. Some days, he'd feel that would be the end. The world, this pouting, upset world, didn't want him anymore. It hadn't wanted his mother, either. It hadn't wanted those little girls, too.

“Excuse me, are you perhaps Lawrence Nightingale?”

A young man patted him on the shoulder. Lawrence sighed and turned around, knowing very well what kind of man this youth might be.

“Sorry. I just wanted to tell you that… I read your article about the attack on Minab. That was fantastic, sir. I'm impressed by your insights into the war.”

Fantastic insights into the war… Right. Like laughing at a funeral.

—I'm afraid we haven't met before.

—Ah, yes, I'm Richard. I work as the foreign correspondent of a news website, maybe you came across one of our reels on…

—I don't use social media.

—Oh, that's okay. I respect that. Do you have a moment? I'd love to hear your thoughts on all this. I mean, isn't it so crazy? We've seen some strife in the last… um, I believe it was last June, and we all thought that's it. It would be over. But it actually didn't, right? I'm actually waiting for my fiancé, so I thought maybe we could talk about this.

No, we can't.

I can't.

I spent a lifetime talking about this. Bombs, IEDs, warheads, blood, body parts, sirens, dust, collapsing buildings, screams, hospitals, houses, homes, hunger, disease, vests, helmets, grenades, tents, winter, rain, snipers, live footage, cable news, exposès, torture, interrogation, investigation, censor, revolts, chaos, storms, lies, waves, lies, boats, lies, inflatable boats, lies, police boats, lies, border patrols, lies, seawater, lies, salt, lies, The Salt Pit, lies, Bagram, lies, Abu Ghraib, lies, earthquakes, lies, comms, lies, intels, lies, girls, boys, men, women, birds, birds, birds…

“And I don't think there will be much refugee flux into Europe. I mean, there are lots of neighboring countries. There's Turkey, for crying out loud. We had enough of them, don't you think, sir? All those Syrians, Afghans, and people coming from the inner Africa… And now, I don't know, Iranians? Like, are you serious? Enough is enough.”

A green SUV drew near the sidewalk and honked twice. Richard turned and waved at the brunette woman in the car.

“There she is. It was a pleasure to talk to you, sir.”

He extended his hand. Lawrence looked at his nails, dyed with black nail polish. “Maybe I should've married a man,” he thought and smiled, shaking the young man's hand firmly.

The car honked again, impatient. The woman stuck her head out the window and shouted. Lawrence watched him running toward her, his fiancée, the woman. She had long, curly hair. Wouldn't she look like a Spanish actress if she didn't have that small nose?


r/fiction • • 2d ago

The Stable

Post image
1 Upvotes

The summer between his junior and senior years, Alex worked as a server at Wharf Mountain.

“Bloody freak,” snarled Josh and scratched his big belly. From a distance, he and his brother Oliver were watching Alex trying to feed the horses. Oliver, whose hair was whiter than his elder brother’s, chided him: “Don’t even start.”

Josh held his cigarette between his two lips and started to oil a saddle.

-We’re gonna lose customers because of him.

-You’re exaggerating.

-Exaggerating my ass! We had a couple coming here for the holiday once in a blue moon, and they just couldn’t stay more than two days. Mrs. Morstan…

-Mrs. Morstan was a bitch. Her conscience was tormenting her because she cheated on her husband and came here with another man. And she made poor Alex pay for it.

-Why, did you become a psychologist now?

-I’m not a psychologist. Just leave Alex alone.

Indeed, the summer between his junior and senior years, Alex worked as a server at Wharf Mountain.

His sister had begged him not to go to that small restaurant perched on the top of a mountain, which they also called “Wharf”. He shouldn’t have stayed away from his family and the city, he shouldn’t have worked like a dog for less than a handful of pennies, for people he doesn’t even know. The distance was 120 miles. 120 miles! How could he return if something went south? How could he buy his medicines if he ran out of them? What if he ignored to take them, or even worse, he took too much? Couldn’t he have just stayed here, rested a bit, had some good time with his family and friends until the school reopened? And how about that fatty jerk named Josh? Such a vulgar man he was! If that restaurant was as good as they said, was earning good money, then why was the boss himself working at the stable? They weren’t making a dime. The old, good times of Wharf Mountain have gone. The Wultz family had bought that piece of land on the top of the Wharf Mountain from a dimwitted, old widow with much pain. No crop could be grown there, but there were wild horses. And if the horses could live there, why couldn’t the cows? Grandfather Wultz had brought a different species from Holland to his land. Five monstrous Holstein cows. All the way from the Atlantic. But before they reached the mountain, two of them had disappeared in the ship, and another had the same faith for some reason, as the workers herded the remaining cows up to the land of Wultzs. “You penny pincher!” had accused grandmother Wultz of his husband. “You feared to spend for a truck, and didn’t bring the cows like a decent man would.”

But seriously, the summer between his junior and senior years, Alex worked as a server at Wharf Mountain…

Read the whole thing on my Patreon page.

Or Buy Me A Coffee.


r/fiction • • 2d ago

OC - Short Story The Bookmark

1 Upvotes

I borrowed The Return of the Native from the library on a Wednesday, mostly because it was thick enough to justify the walk, and found on getting it home, that someone before me had used the book rather generously as a filing cabinet. Strips of paper — not bookmarks exactly, more like offcuts, the width of a till receipt, the kind of paper that seems to exist only to fall out of things — drifted from between the pages as I opened it. First one, then three more in quick succession, then a small flurry of them, coming to rest on the desk like moths that had given up mid-flight. Each one had a single word written on it, in a small, careful, slightly old-fashioned hand — the hand of someone who wrote using a pencil wetted with the tongue. I laid them out in a row, the way a tarot reader lays out a hand of cards, hoping they will do the thinking for her. SAILING. POSTAL. BEFORE. NATIVE. COLD. THEREAFTER. GREEN. THUNDER. BREATHING. WHENEVER. SICKNESS. Eleven words, sitting on my desk like eleven small hatchlings waiting to be fed a meaning. I tried them in alphabetical order, which proved nothing at all, the words looking faintly embarrassed at having been asked to stand in a line for no reason. I tried them in an order that I imagined made more sense, which gave me something worse — a sentence that sounded like a telegram sent by someone short of cash. By the third arrangement I had convinced myself I was getting somewhere — a note passed inside a book between two people who couldn't otherwise be seen speaking, a confession, or a plan of some kind, abandoned mid-sentence, the way a bird abandons half a nest when the weather turns. NATIVE, I thought. Something about travel. Someone going overseas, or returning from it. Had they lost their nerve, or lost the book, or both. Was SICKNESS to blame? Or perhaps THUNDER. I spent the whole of that evening on it, moving eleven small strips of paper around a desk as though they were the last unmapped territory of somebody's private life, and I was the only cartographer left alive who cared. But to no avail. I tried anagrams, acrostics, even a brief and ill-advised experiment with alphanumeric substitution, which only left me more confused than the words had managed on their own, like trying to translate punctuation into a language that didn’t need it. I could not let them go. I copied them onto a slip of paper and carried them in my wallet, the way other men carry a photograph or a rabbit's foot or a very small, folded piece of luck. I began saying them to myself, almost like a mantra, every morning while brushing my teeth and at night, lying in the darkness that arrives just before sleep when the day has stopped pretending to be necessary. They were now inscribed on paper and in my mind, in a totally random order that made sense only to me. But that no longer had the same importance. The words in their new order had a meaning of their own — a small, rhythmic prayer I offered up before leaving the house, before starting the car, before eating a meal alone — and reciting them settled something in me, the way a superstition settles a person who no longer quite believes in it but has grown fond of the shadow it makes. A few days later I borrowed another book from the same library; a slim volume of poetry, the kind that looks unread out of principle. A strip of paper fell out as I opened it. Three words, in the same careful hand, or a hand so similar I chose not to examine the difference too closely, having already thrown the originals away: FIRE AND ICE. I added them to the end of my sequence, where they seemed to fit with the treacherous perfection of a jigsaw piece that belongs to an entirely different puzzle but has, by pure luck, the right shape. SAILING. POSTAL. BEFORE. NATIVE. COLD. THEREAFTER. GREEN. THUNDER. BREATHING. WHENEVER. SICKNESS. FIRE AND ICE. The following afternoon, reading the poetry book over afternoon tea, I came across a poem by Robert Frost and sat up so quickly I nearly choked on a chocolate digestive. Fire and Ice. There it was, on the page, doing nothing more mysterious than being the title of a poem I had simply not yet reached. I sat with that for a while and mulled over the significance of my latest discovery. And the more I mulled, the more obvious the solution to the mystery became. Someone before me had simply devised a small, sensible, entirely unmysterious system for finding their place again — jotting down the next word before closing the book, the way a person ties a bit of string around a finger, trusting the finger to explain itself later. I felt, for a moment, exactly as foolish as I deserved to. And then, a moment after that, something closer to grief — a faintly ridiculous grief for a lost companion who had never existed, a fellow-traveller I'd invented out of eleven scraps of paper and my own willingness to find intrigue hiding between the covers of a book. I took the slip out of my wallet that evening and looked at it for a long time under the kitchen light, the way you might look at a key to a door that, it turns out, was never locked. I did not throw it away. But before returning the poetry book to the library the following week, I tore a fresh strip from a notepad and wrote on it, THE END. I then slid it into a completely random page in the book.

The Bookmark is taken from my collection of short stories, The Small Print, that follow Douglas Fitzgerald through the absurd embarrassments of English life. I'd love to now what you think.


r/fiction • • 3d ago

The 5 Best Novels I Have Read in the Last 5 Years

Thumbnail
jtampio.substack.com
1 Upvotes

A short fun piece that should be self-explanatory from the title 😄


r/fiction • • 3d ago

a return to an unknown life

Post image
0 Upvotes

#Prologue

All of a sudden, Afonso woke up from a coma. He had been asleep for twenty years, and everything had changed. He had lost so much during those twenty years. The people he knew were no longer the same, and the world he remembered no longer existed as he knew it. 

After recovering, he had to start his life over from where it had stopped when he was fourteen, back in 2006. 

The forty songs he had chosen were still on his old MP3 player, so one Saturday morning, he went out for a walk, listening to “I Write Sins Not Tragedies” by Panic! at the Disco, his favorite song before the tragedy that had left him in a coma. It was hard for him to believe that he was already thirty-four because, in his mind, he was still fourteen. While his high school friends had adult lives to deal with, including careers, houses, children, wives, and husbands, he was still dealing with teenage problems. 

As he walked through the city, he noticed how much everything had changed. The ice cream parlor he used to visit after school had been replaced by a fitness center. The Internet café where he used to hang out with his friends was now a drugstore. The video rental store where he used to spend hours with his mother choosing the best movie to watch over the weekend was now a parking lot. His old world, where time seemed to move more slowly, had given way to a digital, fast-paced one. 

He felt like an alien on a new planet. But one question kept coming to his mind: “Would I ever make up for the time I had lost and be ready for this new world?” 


r/fiction • • 3d ago

My Friend’s Cousin- Chapter 4

Thumbnail
wattpad.com
1 Upvotes

r/fiction • • 4d ago

OC - Flash Fiction Proof of Concept

1 Upvotes

We’ve already traveled to Hyperborea at two different moments in its history, but no worries, each story stands on its own. Today, we’re going back to the beginning, when it was little more than a proof of concept. Links to the two other shorts in the trilogy at the end.

---

“Mais oui! It was all so very simple. The answer was before us all along. It could only have been le Maître d’hôtel… the, ehm, butler… with the candelabra in the study.”

“What are you saying, Inspecteur Poi…”

He raised his finger triumphantly. “Arrest him! C’est lui, he killed the opera singer.”

The butler narrowed his eyes, turned, and ran straight through the wall of the mansion’s dining room.

For a moment, there was silence and confusion; the colonel’s mouth fell open, the maid blinked, and a femme fatale lowered her cigarette holder. “Glad we sorted that out,” was the only thing she said, while adjusting the velvet boa on her shoulders.

In the back of the room, a radio clicked and warbled until a clear familiar song filled the room.

Melancholic synthesizers pulsed as an almost mechanical voice asked a question about friendship and electricity. You recognize it, don’t you?

The room began to pixelate around the inspector; the walls dissolved into tiny squares, the chandelier flickered, and the faces of the guests fragmented into thousands of colored dots.

---

“Congratulations, Mr. Lefranc. You’re the first to solve the mystery.”

“Putain! That was amazing, Mr. Glenn. It really felt like I was the inspecteur. How many lev…”

“We only have a functional town right now, but we’ll scale pretty soon. Come on, let me help you out of the pod.”

Alain Lefranc sat up and rubbed his eyes. “You know, that noclipping did break the immersion at the end there.”

“Yes, Mr. Lefranc. You are absolutely right.” He paused for a moment, then turned, “Do you see my friend in the corner over there?”

The man waved awkwardly at Alain Lefranc, who merely nodded before looking back up at the person in front of him.

“That’s Zhao. He’s our debugger, and he has a list to go through before we release version 0.3. We hope it didn’t…”

“Sorry, no, laissez tomber, it was merveilleux. Between the Russian bubonic plague and the endless wars, this was a much needed escape. Oh and, ehm, what did I win?”

“Wonderful, Mr. Lefranc. Well, you’ll be the first on the list for a spot in Hyperborea when we launch. Consider yourself a citizen.”

---

“Zhao, what was that? Noclipping had a fix, didn’t it?”

“Yes, Glenn. Some of that new code is causing the model to glitch. I bet it’s that vibecoder-crap.”

“Don’t be a gatekeeper, Zhao.”

“Long live cheap outsourcing, right, Glenn?”

Glenn didn’t immediately respond but his eyes widened slightly. “Right. That reminds me. You also need to update the maintenance protocols to accommodate only one single technician at a time.”

“Wha…”

“Don’t fight me on this, Zhao. Cost-cutting order from above. We’re already over budget.”

---

Author’s note

The central theme in the Hyperborea stories is the unintended, sometimes catastrophic or horrific consequences of seemingly ordinary decisions within complex systems. We started with consequences, then went back to where the problems started, and now we’ve gone even further back.


r/fiction • • 4d ago

What does freedom truly taste?

Post image
1 Upvotes

My Literary Critique on the indian novel: Kanthapura by James Baldwin

Reeniel A. Lopez

BSED ENGLISH 3

Raja Rao’s Kanthapura is a novel about a small Indian village whose people become involved in the struggle against British colonial rule. The story shows how the teachings of Mahatma Gandhi influence the villagers, especially through Moorthy, a young man who encourages them to stand against British authority. The novel also presents the changes that happen in the community as people begin to understand the importance of freedom and unity. However, the story is not only about gaining independence. It also shows the problems within the village, such as caste discrimination, traditional beliefs, and the expectations placed on women. Through a postcolonial lens, the novel can be understood as a story about people trying to regain their freedom and protect their identity under colonial rule. For me, one of the most interesting things about the novel is that it shows both the strength of resistance and the problems that remain even when people share the same goal.

One of the strengths of Kanthapura is how it presents the struggle against British colonialism through the lives of ordinary people. Instead of focusing only on important political leaders, Raja Rao shows how the independence movement affects a small village and its community. Through Moorthy, the villagers begin to realize that they do not have to remain silent or simply accept the authority of the British. They can also take part in changing their situation. This is important because colonialism often makes the colonized people seem powerless, as if they cannot make decisions for themselves. In the novel, however, the villagers gradually become more aware of their situation and learn to stand together. Their actions show that resistance does not always begin with powerful people; it can also begin with ordinary individuals who want a better future. However, the novel also shows that unity is not easy to achieve. Not everyone has the same beliefs or is willing to take the same risks. This makes the story more realistic because people respond to change differently. Even so, the novel makes readers realize that fighting for independence is only one part of the struggle for freedom.

Another important part of the novel is its use of Indian culture, religion, and traditions. The villagers understand the independence movement through the beliefs and stories that are already familiar to them. Gandhi becomes an important figure in their lives because his teachings connect with their understanding of morality and their desire to fight injustice. This is one of the novel’s strongest points because it shows that the villagers do not need to abandon their culture to resist colonial rule. Instead, their traditions become a source of strength. This challenges the idea that the culture of the colonized is less important than that of the colonizers. However, the novel’s strong focus on Hindu beliefs also raises a question about representation. India has many religious and cultural groups, so the experiences of one village cannot represent the entire country. Although the novel effectively presents the cultural identity of its characters, it does not necessarily show the experiences of every Indian community. This does not make the story less valuable, but it reminds readers that national identity is more complicated than simply sharing the same traditions

The way Raja Rao tells the story is also worth appreciating. The novel is narrated by Achakka, an elderly woman who shares the experiences of her village. Her storytelling makes the events feel like memories being passed from one person to another. Instead of seeing the villagers through the eyes of a British outsider, readers learn about their lives through someone who belongs to their community. I think this is meaningful because the people who experience colonialism are given a voice in telling their own story. Their experiences are not simply explained by someone from outside their culture. The novel is also written in English, yet its storytelling style reflects Indian traditions. This shows that English can be used to express local experiences rather than simply follow the literary traditions of the colonizers. However, some parts of the novel can be difficult to follow because of its long descriptions, repetitions, and references to Indian mythology. Readers who are unfamiliar with these traditions may struggle to understand certain parts of the story. Still, the narrative style gives the novel its own identity and helps readers understand how culture influences the way people see the world.

Despite the novel’s strong message about freedom, its the treatment of caste is one of the most important issues to criticize. The villagers are united in their opposition to British rule, but they are not equal within their own community. Caste continues to influence their relationships and social positions. This creates a contradiction because the people are fighting against oppression from the British while some members of their own society also experience discrimination. Through a postcolonial lens, this shows that removing foreign rulers does not automatically remove every form of oppression. A country may gain independence, but some people may still be treated unfairly because of their social background. Although the villagers want to be free from British control, their society also needs to address the divisions that prevent everyone from experiencing the same freedom. The struggle for independence is important, but it should also lead people to question the unfair practices that already exist within their society.

The influence of Gandhi is central to the novel because his teachings encourage the villagers to resist colonial rule through nonviolence and collective action. Through Moorthy, the people learn that they can challenge British authority without relying entirely on violence. This makes the movement accessible to ordinary villagers because they can contribute through their decisions and willingness to stand together. However, the novel also shows that having a common goal does not mean that every problem will disappear. The villagers may want independence, but they still have different beliefs, fears, and social positions. Their unity is therefore complicated by the realities of their community. In my opinion, this makes the novel more interesting because it does not have to be read as a simple story in which nationalism solves everything.

The struggle against colonialism is presented as necessary, but it also has limitations. People may agree that their country should be free while disagreeing about what kind of society they want to build afterward. This is why the novel's message goes beyond independence. It encourages readers to think about what happens after people achieve their political goals and whether the society they create will be fair to everyone.

Overall, Kanthapura is a meaningful novel because it shows how ordinary people become involved in the struggle for freedom and how their cultural identity helps them face colonial oppression. Through the experiences of the villagers, Raja Rao presents the importance of resistance, unity, and the preservation of local traditions. The novel is especially effective in giving the community a voice through Achakka's narration and in showing how political change affects everyday life. However, the story also has limitations, particularly in its representation of caste, gender, and the diversity of Indian society. The villagers' struggle against the British does not automatically solve the inequalities within their own community.

In the end, Kanthapura reminds readers that freedom should not only mean being independent from foreign control. It should also mean creating a society where people are treated fairly and where no one is excluded because of their social position, gender, or identity. The novel's message remains important because achieving freedom is one thing, but making sure that everyone can experience that freedom is another.

Here is a link my video on my take about the novel

https://youtube.com/shorts/8LtGBy1XdQM?si=it0tuTcb38_xRLlt


r/fiction • • 4d ago

Beyond the Palace Walls

Post image
1 Upvotes

​

My Literary Critique on the thai Novel: Four Reigns by Kukrit Pramoj

A Marxist Reading

By: Reeniel Lopez

The novel Kukrit Pramoj’s Four Reigns tells the story of Phloi, a Thai woman who lives through the reigns of four kings or the Ramas. Throughout her life, she experiences different changes in her family, relationships, and the society around her. The novel does not only show the life of one woman but also gives readers an idea of how Thailand changed during an important period in its history. Through Phloi’s experiences, readers can see the importance of family, tradition, social status, and political authority in Thai society. Although the story focuses mainly on Phloi’s personal life, it also raises questions about how society influences people’s beliefs and decisions. Using the Marxist literary perspective, especially the ideas of Karl Marx and Friedrich Engels, the novel can be understood as a story about the relationship between individuals and the social structures that shape their lives. From this perspective, Four Reigns shows how traditions can give people a sense of belonging while also helping maintain social differences and established forms of power.

One of the most noticeable aspects of the novel is the importance of tradition in Phloi’s life. Since she had grown in a society that values respect, family responsibilities, and established customs, these marked values that became part of how she understands the world. Her experiences are influenced by the expectations of the people around her and by the social environment in which she lives. Through a Marxist Criticism lens, this can be connected or related to the idea that people's beliefs are shaped by the society they belong. From Marx and Engels, explained in The German Ideology that human consciousness develops in connection with people's social conditions and everyday activities. In simpler terms, the way people think is influenced by the world in which they grow up. Phloi's respect for tradition can therefore be understood not only as a personal choice but also as something shaped by the society around her. She learns what is considered proper, respectable, and acceptable because these values are part of her everyday life. This does not mean that her beliefs are wrong or that all traditions are harmful. Instead, it encourages readers to ask why certain traditions are followed and how they affect the way people understand their place in society.

This idea becomes more interesting when we look at how tradition can help maintain social hierarchy. In the novel, the royal court and the social environment surrounding it represent a society where a person's status and family background influence their position. People are not always treated equally because their social standing can affect their relationships and opportunities. Through Marx and Engels' ideas, we can examine how these differences become accepted as part of normal social life. When people grow up believing that certain individuals deserve more respect or authority because of their position, they may not question the inequality behind those relationships. This is where the concept of ideology becomes useful. Ideology refers to ideas and beliefs that can help maintain an existing social order. In Four Reigns, traditional beliefs can be examined in terms of how they encourage people to respect established institutions and accept their place within society. The royal palace, for example, can be used as a symbol of authority and social hierarchy. However, it is important not to assume that every tradition in the novel exists only to protect powerful people. Traditions can also provide emotional security, cultural identity, and a sense of belonging. The main point is that traditions can have different effects depending on how they are practiced and how they influence relationships between people.

Phloi's position in society is also important when examining the relationship between privilege and power. The experiences she dwelled are closely connected to the social environment in which she lives, particularly the royal court and the traditions surrounding it. A Marxist reading encourages us to look beyond the individual characters and examine the social structures that influence their lives. Instead of asking only whether a character is good or bad, we can ask how that character's position affects their experiences and opportunities. People who belong to privileged families may have access to relationships, resources, and social recognition that are not equally available to everyone. This does not mean that every privileged person has an easy life or that every person with a lower social position has the same experiences. Rather, it shows that social status can influence the opportunities available to individuals. In this sense, Four Reigns gives readers an opportunity to think about how power works through social relationships and established institutions. It also reminds us that privilege is not always based on personal effort alone because family background and social position can play an important role in shaping a person's life.

Another important aspect of the novel is the role of women and family responsibilities. Since Phloi's life is strongly connected to her family and the expectations placed upon her, her experiences can be examined through a Marxist feminist perspective. Friedrich Engels, in The Origin of the Family, Private Property and the State, discusses the relationship between family structures and social power. His ideas encourage readers to examine the family as part of society rather than treating it as a completely private space. In Four Reigns, family relationships and domestic responsibilities are important because they help shape Phloi's identity and her understanding of what is expected of her. Women are often expected to maintain family relationships, care for others, and preserve traditions across generations. These responsibilities can be meaningful, but they can also place certain expectations on women that may limit their choices. Through this perspective, readers can ask whether the responsibilities given to women are shared equally and whether their contributions receive enough recognition. At the same time, Phloi should not simply be viewed as a powerless woman. Her experiences are more complicated because social position, gender expectations, and personal relationships can influence her life in different ways. This makes her character useful for understanding how gender and social hierarchy can exist together.

The historical setting of Four Reigns is another reason why the Marxist perspective is useful. The novel follows Phloi through the reigns of King Rama V, King Rama VI, King Rama VII, and King Rama VIII. During these periods, Thailand experiences changes in its political and social environment. One particularly important event is the 1932 revolution during the reign of King Rama VII, which ended absolute monarchy and established a constitutional system. These changes show that the institutions that shape society are not always permanent. Through the concept of historical materialism, Marx and Engels encourage us to understand history by examining the conditions and social relationships that influence how societies develop. Applying this idea to the novel allows us to see that political changes do not affect only leaders or government institutions. They can also influence ordinary people, families, and the values that guide their lives. For Phloi, the changing society creates a contrast between the world she has known and the new circumstances that emerge around her. Her experiences help readers understand that history is not only about major political events but also about how those events affect people's everyday lives.

However, one important question is whether political change automatically leads to a more equal society. From a Marxist perspective, the answer is no. A change in leadership or government does not necessarily remove the social differences that already exist. Even when political institutions change, people's beliefs, family expectations, and attitudes toward social status may continue to reflect older traditions. This idea can be represented through the symbol of a changing crown or path. The changing crown represents the transformation of political authority, while the path represents the movement of society through different historical periods. These symbols help explain the relationship between change and continuity in the novel. Although Thailand experiences political transformation during Phloi's lifetime, the effects of change are not necessarily the same for everyone. Some people may adapt to new circumstances, while others may remain attached to the traditions that have shaped their identities. This shows that social change is a complicated process because institutions, beliefs, and personal attitudes do not always change at the same time.

Another question worth considering is whether Four Reigns challenges social hierarchy or presents traditional society in a positive way. The novel's focus on Phloi's experiences allows readers to understand why family, tradition, and established institutions are important to her. These values give her life meaning and connect her to the society in which she lives. However, a Marxist critique encourages readers to look beyond the emotional importance of tradition and examine the social relationships connected to it. If a tradition gives certain people more authority or opportunities than others, then it is worth asking whether that tradition contributes to inequality. At the same time, it would be unfair to conclude that the novel simply supports every form of hierarchy because it portrays characters who value tradition. A character's beliefs do not automatically represent the author's complete message. Instead, readers should examine how the novel presents different experiences, how it portrays social change, and whose perspectives receive the most attention. Since the story focuses on Phloi and the social world connected to her, a careful critique should also consider which experiences may receive less attention in the narrative. This approach allows readers to understand the novel without reducing it to a simple story of oppression or privilege.

Overall, the most interesting part of reading the novel: Four Reigns through the ideas of Marx and Engels is that it encourages us to look at the connection between personal experiences and the society in which they happen. Phloi's life is shaped by her own relationships and choices, but it is also influenced by tradition, social status, family expectations, and political changes. The novel shows that people do not develop their beliefs independently of the world around them. Their understanding of what is right, proper, and meaningful is influenced by the institutions and values they grow up with. Through the Marxist perspective, we can better understand how these values can provide a sense of belonging while also helping preserve existing social relationships. The novel also shows that historical change does not automatically remove social inequality because old beliefs and expectations may continue even when political institutions change.

Here is the link for my video

https://youtube.com/shorts/PxiQERGeDto?si=ElBWB88P3o2VKaOr


r/fiction • • 4d ago

Exterior... Monologue

Post image
1 Upvotes

[Cultural Note] Coana Chirița is Romania's original influencer, invented 150 years before Instagram by playwright Vasile Alecsandri. She's a rich provincial lady who pretends to be Parisian and calls a fork "furculision" because she can't pronounce "fourchette". Every Romanian knows her.

Episode II: The Parisian Vibe and the 300-Euro Fork*

From Coana Chirița's "little forky-warky" straight to the Champs-Élysées in the Instagram era! How much does a parsley leaf arranged Feng Shui-style in the middle of a giant plate cost, and why do today's "ladies" faint? You'll laugh yourself into a coma... without it being induced!_

A1: Let's hop on our two-stroke engine and cruise gently towards our days. And look... here we are... On the Champs-Élysées.

And guess what? Chirița's little fork is still here. Only now it's called "fourchette" and the menu costs 300 euros.

The dames are still precious, only the powder has become HD foundation and the fan has become an iPhone 50. They bat their false eyelashes and say: "OMG, this is literally the best vibe ever!"

They still faint with style, but now they post on Instagram: "Feeling faint #blessed #parisianvibes".

And the gentlemen? The gentlemen are still putting the country on the right track. Only the cigarette has become a Cuban cigar or a mango-flavored vape.

And instead of "the Oriental Question" they solve "cryptocurrency" and "artificial intelligence". They puff importantly and say: "You know, my dear sir, the situation with the AI is delicate. It needs regulation! One more espresso and we'll pass a law."

A2: Speaking of the 300-euro menu. Imagine a huge plate, and in the middle an island of pommes de terre and stuck in the middle a little green parsley leaf like a flag. Take that, mister!

 A1: Lord have mercy, you killed me! And for parsley leaves I should pay 300 euros?

"Voilà, madame! L'essence de la pomme de terre, déconstruite! Bon appétit!"

And you sit there with the 300-euro fork in your hand and stare at the island like at an eclipse. No wonder Ladies faint at the Parisian vibe! They faint from hunger, poor things!

That's why they say "OMG, I'm literally dying", because it's for real. Poor things! They are dying of hunger. They paid so much money for one leaf and three peas arranged Feng Shui and now they take a picture of the empty plate with #foodporn! That's porn with an empty belly! To die laughing, as you say!

What has changed in a hundred years?

The clothes! Because Coana Chirița is present, just more superficially dressed, with false eyelashes and "lady" airs.

 A2: That as that may be! But they became economical with words when they write. They don't say "Oh my god" anymore but OMG, "What are you doing?" became "wdyd"? It's like they buy letters with hard currency!

And this so they can buy pre-ripped jeans and say it's new fashion, or get botox, so they can't even talk or laugh anymore.

The men... they get a crest on top of their heads like they're Spartan warriors ready for attack, but if their crypto server crashes, they cry behind their cigar like kids left without a lollipop.

Here they faint from hunger, in Chicago they faint from frolicking to the Charleston rhythm.

 The journey continues........... to Chicago_


r/fiction • • 4d ago

My Friend’s Cousin- Chapter 3

Thumbnail
wattpad.com
1 Upvotes