Holaaaaaaaa, good evening, afternoon, or morning, wherever you are! JASDJAS Greetings from Argentina!

I'm leaving my EP here! It's kinda indie, and I hope you enjoy it. And if it's not your thing, that's totally okay too! Thank you so much for taking a little time out of your day to give it a listen.

https://www.youtube.com/watch?v=6hORxtOL6N8&list=PLNu8R3taaQaZv1hTfMdl3zHg3fIxsFB_H

Honestly, I'm not very good at promoting my own music ASJDASJ, but I'm trying to reach my first 100 subscribers, so if you enjoy my music or just want to give me a hand, I'd really appreciate it!

Oh, and if you make music yourself, feel free to share it here too! I'd love to give it a listen <3

A reclusive groundskeeper helps jacob find and reattach his shadow.

Love feedback on song: Yay or Nay?

Hey everyone,

Just put this together quickly in about an hour and a half on BandLab. It's totally raw with no autotune, aiming for that emotional bedroom pop/lo-fi vibe.

I know it's not a pro studio mix, but I'd love to hear your honest thoughts on the overall feel and vocals!

I hope you enjoy it though! Thanks for listening!

https://soundcloud.com/j6ln/god_tell_me?si=b5ff58c249954275bfb2b5cd8c9b9766&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

“There’s something about an ill-timed, well-placed f--k from Cameron Winter.”

That’s how I begin my review of seeing Geese on back-to-back nights at Forest Hills Stadium. Night one I went with a friend in the 500 section. But night two I went solo into the fray of the moshing crowd. As a journalist, there was plenty to unpack about the difference in performances (night two had an unbelievable version of Space Race) and my overall experience.

I’ve read plenty of complaints about the trim setlists, how they rarely play the fan favorites. It took me two weeks to put together a 3,000-word review that, at the end of the day, is here for the Geese die-hards to pick apart.

Just know, behind all that nonchalance and limited audience interactions, their gratitude manifested in many ways over the two nights.

Full story:

https://doorsat7.substack.com/p/geese-new-york-city-concert-forest-hills-cameron-winter?r=3xay2j&utm_medium=ios

Tried to buy some luck. The fountain said, "Your money is no good here” 🙄

LUCKY ME
10.30.26

🪙 PRESAVE - LUCKY ME

progressive psychedelic war cry from insect wars
https://on.soundcloud.com/ZUd5NFbJaJUj4GIEln

I made this, I couldn’t decide if it needed a bridge or not

Bedouine is bringing her dreamy, atmospheric folk sound to Le Poisson Rouge on November 10th! Known for her mellow vocals and intimate songwriting, she creates music that feels both nostalgic and fresh. Steady Holiday will also join her for the evening, making this a great night for indie music fans. Grab your tickets here: https://kyd.to/VLfYEOZ1

In Reading, it's a Cheeselog. This is the DIY video for our new single of the same name. A bit of silliness in a world gone mad!

Our debut album "The Scapegoat's Agony" turned 30 last November so we are giving away some free codes to celebrate this anniversary just a little bit longer🙂:

https://comabeach.bandcamp.com/album/the-scapegoats-agony

The album title "The Scapegoat's Agony" is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the – for the most part – painful and excruciating emotional odyssey of the unnamed antihero.

Our musical influences range from Sex Pistols, Ramones, Hüsker Dü, Joy Division, The Cure, The Jesus and Mary Chain to Guns N' Roses, Therapy? and Bad Religion, with our songs frequently straddling the line between punk rock and alternative rock.

👉 https://band.codes/comabeach/the-scapegoats-agony 👈

👉 https://getmusic.fm/r/coma-beach-the-scapegoat-s-agony 👈

👉 https://dlcm.app/coma-beach 👈

👉 https://www.launchercodes.com/p/the-scapegoat-s-agony-h6xor 👈

Hey everyone, I’m an independent songwriter from Victoria, Australia, and I just self-released the official film clip for my second single, "Who Let the Shadows Through?"

I like to describe this project as "Grunge Pop" or Dark Alternative. I wrote these lyrics to be intensely catchy and melodic, but wrapped them inside a heavy, moody, atmospheric instrumental wall. Think dark, eerie fairytale aesthetics blended with driving rock elements—heavily inspired by the structural hooks of 90s alternative music.

Since I am running my own independent label (Neon Moon Co.), I handled the entire conceptual writing (music through Suno) from my raw imagination and brought the visual universe to life inside a moonlit labyrinth concept to match the spooky energy of the music.

If you have 3 minutes to jump into a catchy but creepy vibe tonight, please take a look! I’d love to know what you think of the genre blend and the visual pacing.

Watch the full video on YouTube here: https://youtu.be/BSjqVbIl8UA

Thank you so much to anyone supporting raw, independent music discovery today! 🖤🌌

Immerse in the journey of eternal love, apocalypse, and undying memories

Crimson Dreams of Infinite Midnight
1. Don’t Let Me Go
2. Days of Falling Sun
3. Play It Again, M

https://youtu.be/XU0ZuJ543ro?si

Prophett of a Priestess means Black Lace and Lana is finally out.
It’s been a year coming.
Self written, played & produced.

Let me know what you think about a girl doing it all on her own. ❤️