I went to the asylum for a really stupid reason. It wasn’t just to take pictures like I told Tyler, and it definitely wasn’t for a research project like I told my Mom. If I had been going exclusively for either one of those reasons, I would have gone in the crisp, pale light of the October dawn.
But I didn’t do that. I went at night.
I’ve been to the asylum plenty of times. It’s kind of what you do when you’re a kid living in my town. You do your PE runs there. You take your senior photos there. If you’re my aunt’s age, you probably went to a haunted house or two before they shut that all down. I don’t really know why they shut it down. They probably though it was dangerous or disrespectful or something.
Part of the draw is that the asylum grounds are kind of beautiful—serene on the surface. The property is composed of acres and acres of meadows and miles of trails lined with briars that hang heavy with blackberries every summer.
In the spring and summer, and in the light of day, and when the circumstances of life are ideal, and all the stars align and you’re caught up in that moment between your graduation and the first day of college, the asylum feels welcoming and peaceful and soothing. But that isn’t the real asylum. It’s not what I experienced on the night that I went.
Let me start by saying it wasn’t my idea to go on Halloween night. That felt really cliche to me. “You’re way too contrarian for that,” Tyler said on the night he dropped me off at the asylum. “Go during Thanksgiving week or something.”
And yeah, I should have listened to Tyler.
But the fact is, my contrarian streak is exactly the thing that brought me there on the most cliche night of the year.
It started with a conversation with my sister. We were talking about plans for Halloween. She’s three years older than me. She’s a social butterfly, she owns a house, and she has a baby, who I think is super cute (yeah—I’m well aware that I only think she’s cute because I’m related to her. Sue me.)
She’s also married to Scott, who objectively is great but for some reason has always gotten under my skin. It might be because he proposed to Mallory at the exact same time the series finale of Young Sheldon was airing. Who does that?
The three of us were standing in the kitchen. Mallory was pulling scones out of the oven, and Scott was rifling around in the fridge.
“I think it’s gonna be pretty low-key,” she told me. “We’re going to do a family costume—maybe the Incredibles or something.”
I glanced over at Scott, who was elbow deep in the top shelf of the refrigerator, and tried to picture him wearing a Mr. Incredible costume. My nose wrinkled involuntarily.
“And we’ll hand out candy, and then Mable is coming over to do a photo shoot with us and Sly, and then we’ll leave Sly with Scott’s mom, and then we’ll hit a bar for a couple beers or if they do a fancy Halloween cocktail or something.”
Halfway through her monologue, I realized something annoying. She was going to have a better Halloween than me. I didn’t even have solid plans yet. A few of my friends had talked about a movie night, but nobody had mentioned it since last week, and I wasn’t sure if anyone was serious or not.
She put a plate of fresh scones on the counter. She must have interpreted my silence as pity, because she said, “Oh come on. We can’t all be young and crazy.”
That wasn’t what I was thinking at all. I was thinking that my twenty-four-year-old sister who was constantly awake with a six-month-old was somehow the cool one in this scenario.
What exactly was my excuse? All I had was school and crippling social anxiety.
Scott set a jar of lemon curd next to the scones. It was almost annoying that he had been digging around the fridge for lemon curd. Like, how smug can you get? Lemon curd and family costumes and bespoke Halloween cocktails—come on.
“What about you?” Mallory asked. “You and Tyler up to something? C'mon. Let me live vicariously through your Halloween plans.”
I didn’t want to tell her my plan was to watch a movie in my apartment, half-listening for trick-or-treaters. And so I answered with the first semi-plausible thing that my brain could conjure. “Ghost hunting,” I say. “Up at the asylum.”
Scott looked up like I’d just shone a giant flashlight in his eyes.
Mallory scowled. She’d never liked my interest in the paranormal. “Kimmy…”
“That sounds legit,” Scott said.
Mallory glared at him, and if I’m being honest, I kind of enjoyed the tiny wrench I threw into their scone-and-lemon curd life.
Then she turned to me. “You aren’t allowed there after dark.”
Obviously I knew that. I grew up here. But I can’t stand the thought of Mallory in her dumb superhero costume, feeling bad for me. That’s just too sad.
So I kept digging myself deeper, “I want to try to talk to the girl who disappeared there.”
She looked at me. She opened her mouth. Then she shut it again.
Scott was a different story. A wide grin spread across his face. “I dare you to take the picture,” he said.
Mallory slapped his arm with the back of her hand so hard that I could have sworn I felt it, too.
***
"The photo" in question is a selfie taken in 2013 by a local high school student named Mina. The photo, taken at the asylum’s cemetery, shows Mina in the dull morning sun, smiling widely at the camera. She’s wearing a red and gold letterman’s jacket from her school, and a bracelet with a turtle pendant. In recent years there’s been a rumor that the turtle was made of real emeralds, but nobody actually knows if that’s true or not.
If that was the whole story, the picture never would have gone viral like it did. A high school girl going missing in a small town is a tragic news story for sure, but as is so often the case, it would have blown over after a couple of months.
But the photo shows something else. It shows something massive and smoky creeping up the edge. It’s as if something huge hunches over Mina, mostly out of focus and obscured by the blanket of morning fog. Just enough of the shape shines through the mist to make you wonder what happened to her in the seconds after Mina snapped the photo.
The story goes Mina was at the asylum for senior photos. Her mom wanted her the pictures taken at the nursery just off of the highway, but Mina was just punk enough to want something edgy. Mina’s love of the macabre and her mother’s pumpkin spice sensibilities clashed, and then combined in such a way that the two of them ended up choosing an utterly gorgeous, only vaguely gothic asylum.
Apparently their photographer friend didn’t show up at first. When Mina called to check in, the photographer was adamant that she wasn’t coming.
No one knows why. That photographer had taken thousands of photos at the asylum over the years. But that day she didn’t want to be anywhere near the campus.
The photographer was adamant, but Mina was worse. Mina told her she wasn’t going anywhere.
Nobody knows exactly what happened from there.
We know that Mina never went home that night. We know that Mina made national news. We know Mina took some selfies on her crappy flip phone. We know that because one of them became internet-famous.
That picture was the last one on her phone. The phone itself was found near the cemetery with bloody fingerprints smudged across the screen.
***
When Scott dared me to take “the picture” I knew exactly what he meant. Every kid around here knows.
The rules are simple:
- Go to the asylum after dark.
- Walk across the campus to the old cemetery. Stand beside the tallest gravestone.
- Take a selfie with your phone. Pay close attention to any shadows and or shapes in the frame.
- If there’s nothing extra in you’re photo, you’re safe for another. If there is…let’s just say you might want to sleep with the lights on for a while.
***
On Halloween night, I set my alarm for one in the morning, took a big swig of bourbon straight from the bottle, and walked down my creaky stairs to the parking lot to meet Tyler.
Even though the hour was ungodly, I didn’t want to risk leaving my car on the road outside the park gates, so Tyler picked me up. It’s pretty easy to sneak onto the campus, but our town has a lot of cops that patrol even at night, and if one of them sees a car anywhere near the asylum, there’s a good chance they’re going to check it out.
When I got in Tyler’s car, the heater was off and it was so cold I could see my breath. He wore a deeply serious gray sweater and otherwise seemed completely oblivious to the cold.
“You ready for this?” He asked.
“For sure!” I said with far more certainty than I felt.
“As long as you don’t let Mina get you.”
I laughed, but our smiles faded quickly. Neither one of us had the bravado to fully commit to the bit. We drove the rest of the way in silence. It felt kind of like a reverse Christmas morning—like we were excited for something but in a bad way.
Eventually Tyler eased the car over to the shoulder. He turned off the headlights. We stayed in that silence for a moment. This should have felt fun, but I somehow couldn’t bring myself to reach for the car door latch.
“You sure don’t want me to come with you?” Tyler said.
Warm relief rushed over me before I could catch it. Of course I wanted him to come with me. Now that I was here, sitting in the safety of the car, looking out there into the night, I felt every one of my senses prickling—coming alive—telling me I shouldn’t be alone out here.
I could see the edge of the trail up ahead. Something looked off. The shadows were far too long.
As I sat there shivering in the passenger seat, I would have done anything to have Tyler with me.
Well, I would have done anything except actually ask.
“I’m good,” I said. It took the last bit of resolve I had to send him on his way. “I’ll text you in the morning.”
And as I climbed out of the car, I got the strangest feeling. It felt like I won’t be coming back. It felt like I was about to cross a line I wouldn’t be able to uncross. A movie night suddenly sounded great. All I really wanted was to go home and sit in my living room and eat the popcorn and Reese’s and Oreos and all the others stuff that sounded so lame a few hours ago. I knew that if I asked, Tyler would come with me. I wanted to sit with my best friend and let the night melt around us.
Instead I was stupid.
I took my extra heavy coat, my bag of halloween candy, and a full bottle of bourbon and headed for the place where the fence broke. Bourbon felt like the right call for this night. I had a feeling Mina would have been a bourbon girl, and I knew that I was.
“I’ll see you in the morning,” I closed the door as quietly as I could and started walking through the moonlight toward the edge of the property.
For a beautiful moment, I felt myself relax. I thought I was going to be okay after all. Maybe this could just be a perfect walk in the moonlight, bathed in the luxurious silver. I could feel the warmth of that earlier drink sneaking up on me.
I was fine until I heard Tyler pull away. I turned to look over my shoulder as his tail lights disappeared, and I felt the cramping return to the pit of my stomach—the flash of lightning through my chest—the sense that something wasn’t right.
Still, I forced myself to continue. There was no way I was going to call him back now that he was gone. I would never live it down.
As I walked along the path with my backpack over my shoulder, I caught sight of something in the distance. It was a booth of some sort, edges sharp in the moonlight, roof hanging over a small enclosure, creating deep, angry shadows.
I felt myself tense up, wondering what could be hiding in the shadows. As I drew closer, though, I realized what it was. It was just a phone booth.
I didn’t remember that being out here, but I also didn’t come this way often. I veered off of my path to check it out.
The roof overhung the phone, creating a strange spot of darkness and shadow. Here, in the middle of the night, with the moon frowning down, it felt especially terrifying.
A sign swinging from two chains read “Spirit Phone.”
I’d seen things like this online. It was a thing for sad people. They could pick up a phone, whisper their goodbyes to lost loved ones, and walk away feeling like they got something off their chest.
But while I wanted to write it off as a quaint memorial to people who had passed on, it’s sudden appearance in my path felt like something more. It felt targeted to me. After all, hadn’t I come here to try to communicate with Mina? If there was any truth to ghosts—if there was any chance I could communicate with her—why not use a tool meant just for that?
Stepping into the square of shadow felt like breaking some covenant I had made with this place. It felt like inviting something evil into my sphere.
And like an idiot, I did it anyway.
I stepped up to the phone and lifted it from it’s cradle. I didn’t know what I expected. Of course there wouldn’t be a ring tone out here. Of course it would be dead. But the silence somehow felt invasive. It hammered against my brain like it was its own person. I was silent for several moments. Then I gulped. And then I whispered, “Is anyone there?”
For a moment, dead silence.
And then, somewhere far away, a tiny click, followed by the wail of the wind in the receiver. No voice, no breathing—just a sound telling me that someone somewhere else had picked up a second phone.
I slammed the receiver down.
That wasn’t supposed to happen. Not really. I realize as I stood there, staring at the phone, that I wasn’t at all prepared to meet something real out here tonight. Sure, I felt scared as soon as I stepped out of the car, but I thought it was just nerves. I never really believed it. Not until then.
Not until I stood in the moonlight.
All of the worst case scenarios slammed into me at the same time.
What if my phone died before morning?
What if I hurt myself? What if the alcohol I had already consumed—the alcohol I could feel fuzzing up the corners of my thinking—came on more strongly than I anticipated?
What if the moon went behind a cloud?
What if there really was someone on the other side of that phone?
I made myself let those thoughts go. More realistically, I forced them out of my mind in the same way you corral stray cats away from your front door.
This was what I wanted. This was what I came for. I was not going to let fear ruin the night for me. I wasn’t going to back down. I was going to walk out of this night with a selfie from the cemetery and a fantastic story to tell my smug sister.
I hiked my backpack higher, and as I did, I realized that my hand was wet. I looked down. There was a thick liquid smeared across my palm. I turned on my phone light. Something gray, the consistency of honey, covered my hand. I looked up at the phone booth. The same substance dribbled from the handle of the receiver.
I shone my flashlight higher. The same gray muck covered half of the plaque above the receiver so that the only visible words were:
…ones missed,
…where bonds persist.
I shivered and turned away. The substance oozed and squelched between my fingers, and as I started up the trail that led to the barns, I wiped my hand on my pants.
I thought about calling Tyler. I wanted to hear his voice on the other end of the line. I wanted the comfort. I didn’t have to admit that I was scared. I could just tell him about the phone I found or something.
Still, he would be in bed by now, and I had the feeling that if I called him—if I heard his voice—I would lose the rest of my nerve and I would ask him to come back.
No. I would keep going. I couldn’t exactly tell him that I came out here to talk to Mina’s ghost and gave in the moment it got creepy.
Blackberry bushes lined the path, shooting out spindly briars like arms ready to tangle me up and hold me forever. Out there in the middle of the night, wasn’t even sure that was walking the right path. Things looked different at night. Familiar shapes lurked and hulked like demons in the distance, and roads that I should have known felt like they were leading me somewhere I didn’t want to go.
Eventually, I crested the hill and stepped up into view of the barns.
The silo loomed over me, along with several other structures. With the moonlight creating such a crisp view, I could see the graffiti on the buildings. I stepped closer.
Someone had painted two angry eyes on the face of one of the barns, accompanied by eyebrows. Words scrawled beneath read, “He is watching” read the graphic. An arrow pointed upward.
It was silly nonsense—the kind of thing me and my friends would have done in high school—and yet something about it pulled me in. Something about it made my heart drop.
I took another step forward. And then another. Looking up into the rafters, I don’t know what I expected to see. Maybe I thought I would see some sort of gargoyle, or a demon bound by the graffiti artist’s words. Maybe I thought there would be a camera or a face peering back at me.
But there was nothing. Maybe a few sticks from a bird’s nest if I squinted hard enough.
But up higher—up higher there was a window, empty and yawning. If there ever had been glass up there, it was long gone. The window was a starless night now—like a portal to somewhere else.
Was this where Mina died? Did one of these old barns crumble around her, entombing her for eternity? Did something watch her from that window? Was something watching me?
With a shiver, I left the barns and kept walking. Shuffling through the grass, my backpack suddenly felt heavy. I paused and looked up at the sky. A pair of clouds hovered close to the moon.
Behind me, a gust of wind whistles through one of the open-air barns, kicking up crunchy leaves and scattering them across the field. I looked back.
A shadow moved behind the entrance to one of the barns.
It was quick enough—subtle enough—that I couldn’t be sure it was anything at all. Normally I would have laughed it off, but tonight, all I could think about was the last photo Mina took—that image of the shadow.
I knew that if I started running, I would never be able to stop. So instead, I forced myself to go toward it. The shadow had to be nothing. Maybe just an animal. I took another step.
Now I could see the shadow hovering in the doorway. Long columns of darkness clenched and curled and unclenched, like the shadows of tree branches, only fluid and curving. The shapes, wrong and unnatural, slipped toward the edge of the door.
My heart pounded, and I stumbled backward.
Beside me I heard a rustling, and then something grabbed my leg. I twisted hard, pulling away, only to feel a tearing. Still, whatever had me didn’t let go.
I jerked my leg away. This time the tearing sensation reached the bare skin between my sock and the cuff of my jeans. I inhaled sharply at the pain.
When I looked down at my foot, I immediately felt stupid. A blackberry branch had snagged my ankle. My skin was pulled tight—stretched out by one of the barbs that had hooked me—but it was just a thorn. It wasn’t a monster. It wasn’t a ghost.
It was just a stupid blackberry briar.
I looked back up at the barn. The shadow was still there, but now that I had survived the blackberry bush, I realized what I was looking at. An old roll of loosely coiled wire swayed in the breeze, casting shadows on the ground. That was it. No reason to be scared.
Turning my back on the barns, I pushed onward down the trail.
The blackberry bushes kept reaching for me as I made my way toward the cemetery, and from then on I was more careful about where I stepped.
The little terrors of the night were taking a toll, but I remained stubborn in my purpose. I was going to get this photo. I was going to show Scott and all the rest of them that I wasn’t scared. And when I looked in the mirror tomorrow, I would be able to face myself, knowing that I hadn’t run away from an irrational fear.
After walking eastward for several minutes, the cemetery fence came into view. I approached the fence, thinking about the photo of Mina in the cemetery, with that strange shadow-shape over her shoulder.
My aunt told me the secrets about this graveyard once. She told me that it’s not exactly what it looks like on the surface. This place is actually a wetland—a bog. Mina’s body—if this is in fact where her body ended up—has joined with hundred of other burials throughout the years and sunk into the depths.
I hopped the fence and walked toward the tallest gravestone. It was obvious which one I was looking for—it was the only stone jutting out of the grass. The rest of them were invisible, forgotten at ground-level, or sunken even deeper.
My heart hammered as my shoes squashed across the lawn. Each time my feet sunk into the grass, it felt like squeezing a sponge out over an empty bowl. Water pooled around my shoes and the earth sucked at my feet with every step.
You should go.
Not until I get the damn photo.
Because at the end of the day, it wasn’t just about impressing Scott, or even Mallory. I just wanted to win. For once I wanted to do the thing I had set out to do without giving up or chickening out.
I could call Tyler as soon as I was done with the picture. He would be sleeping with his ringer on tonight, just in case I needed something.
But I wasn’t leaving without the photo.
So I marched all the way up to that gravestone. I turned and looked out at the blackberry brambles and skinny white birch trunks beyond the chain link fence, searching for any sign of a menacing shadow. Nothing seemed out of the ordinary. If anything, the darkness beyond the tree trunks felt a little too heavy—a little too close. But if that was the only thing I had to worry about, I was pretty sure I could manage.
I pulled my phone out of my pocket. After flipping the screen, I raised my phone above my head, careful to get as much of the backdrop in focus as possible. I snapped the photo. My whole screen turned white for a moment, then, like a callback to a Polaroid developing in real time, the photo faded into view.
I zoomed in immediately, checking every inch of the photo. My own eyes stared back at me, wide and bloodshot. I looked terrible, but I ignored my face and moved on.
Something in the background caught my attention—something white in the expanse of darkness. I zoomed in close, only to see that a large moth had landed on the fence as I took the picture.
A sigh of relief escaped my lungs as I realized there was nothing strange in the photo at all.
I had been playing with the idea of calling Tyler as soon as I took the picture. Now that I had taken the photo, though, and it had come back empty, I felt an unexpected rush of confidence. It felt like nothing could touch me—like I could face anything tonight might throw at me.
Riding high on that sensation, I started walking deeper into the cemetery.
The ground grew soggier with every step. By the time I reached the middle of the lawn, I could see the standing water sparkling in the moonlight, and I was sinking up to my ankles every time I shifted my weight.
It was gross. The cold water had the effect of overcoming both my fear and my stubborn streak, and suddenly I was overcome with the practical need to get away from this muddy, squelching hellscape.
I was just about to turn back—just about to head for the barns—when something in the distance caught my eye. A rectangle shape rested near the fence.
I should have turned back. I should have let the freezing water serve as a warning. I should have called Tyler.
But curiosity got me. Now that I had the photo on my phone, I felt like I could do anything at all. So I took a few more steps forward. Icy water seeped into my socks and stung the puncture from the blackberry thorns. I pushed on.
I couldn’t identify the shape in the distance yet, but I knew it didn’t belong here. The rolling grass and standing water covered the cemetery, and with the exception of the occasional corner of a sunken gravestone visible in my flashlight, the expanse was entirely flat.
The box on the others side of the lawn didn’t belong here at all.
As I walked—as I stared at that strange shape pushed up against the fence—I felt that strange sense of dread beginning to take hold again. I didn’t have to come here. I could have called Tyler at any time. I could be ay home in my bed right now, sinking into my memory foam mattress topper instead of sinking into three inches of cemetery sewage.
But I was pretty sure it was too late.
I shone my flashlight at the box again. This time the realization punched me in right in the gut.
Resting beside the fence, tilted to one side, poking halfway out of the mud lay a sad little pine box casket.
The lid was ajar. Gray mud oozed down the sides, and a half circle of rocks surrounded it.
At first I tried to rationalize it. Maybe it wasn’t a casket. Maybe someone had put some other kind of box out here for some other reason.
Okay, no, it was definitely a casket.
So maybe they were starting to bury people out here again.
Maybe I was really drunk, even though I didn’t feel it, and I was imagining all of this this.
But as I drew closer, I knew exactly what I was seeing. I knew that it was real.
And while it terrified me, it felt familiar, too.
Because there were other stories people told about this cemetery. Stories about caskets rising to the surface of the graveyard. Stories about placing rocks inside or on top of the caskets to weigh them down and keep them from floating up on muck and water.
There have always been stories about this place.
So many stories.
Maybe I should have believed some of them.
And then, the worst case scenario became real.
The lid began to slip from the casket.
At first I didn’t want to believe it. Maybe it was just a trick of the shadows.
Only it wasn’t.
A sting of panic lit up my chest as I stared down.
Gray muck oozed out of the casket, and something eased over the side of the box. It was ragged and sinewy and gray like driftwood, and it hung limply, brushing the grass below. A green light glinted off of it.
A turtle pendant. Maybe was made of real emeralds. Maybe not. It didn’t matter.
What did matter was that it meant something I wasn’t ready to admit out there in that field. In fact, I’m still not sure I can admit it.
It meant that the driftwood wasn’t driftwood at all. That brittle gray thing was Mina’s arm, flesh and blood picked clean by the devastation of time. The turtle bracelet drooped down from the grimy bone and proved it.
It was then that I did what I should have done far earlier. Maybe if I had done it earlier, I would have stood a chance.
I turned and ran back toward the barns. I hurdled over the fence and ran for the light, the parking lot, and the safety of the highway.
Once, I thought I heard a low moan echoing from somewhere behind me, but I didn’t stop to check, and the sound dissolved into the sound of leaves crunching under my feet.
I pulled my phone out of my pocket.
“Tyler?” I cried when he finally picked up. “I need you to come get me!”
***
I didn’t tell Tyler anything that happened. I let him think that I got scared by leaves blowing and branches creaking. It was easier to accept the blow to my pride than to admit everything I saw.
But when I glanced over at him, he was watching me and not the road. I think he knew that something happened. I think he knew that there was something different about me. Maybe I had been cursed. Marked. Maybe that radiated off of me like heatwaves over concrete.
As we drove home, I thought about it all. I played it over in my head.
I haven’t stopped thinking about it since.
Now, hours later, I’m sitting in my apartment, just waiting. It’s almost dawn and when the sun comes up, odds are that someone is going to find that coffin.
When they do, it’ll only be a matter of time before we learn an identity, and if it really ends up being Mina, that changes everything. It means that there is something far more terrifying about her disappearance than any of us could have imagined. She didn’t simply run away. Something killed her. Something entombed her. Something has held her there for over a decade.
And it means something else—something far more personal to me.
It means that I’m not imagining the things that have been happening to me.
Because things have been happening ever since I got home.
That gray muck is oozing out of my bathroom faucet now, and out of the crack in my living room ceiling.
I can hear a phone sometimes—not my phone—the ringing fades in and out of earshot like it’s taunting me. When I go to look for it, the sound vanishes like a coastal mist.
And when I look at the selfie I took at the cemetery, there still isn’t a shadow figure in it.
There’s something worse.
On the very edge of the photo, so blurry I didn’t notice it at first, a hand grips the outside of the fence. A hand with a glimmering green pendant.