[Part 1]
[Part 2]
[Part 3]
[Part 4]
[Part 5]
[Part 6]
[Part 7]
Sorry this update took so long. A lot has happened over the last few days, and I wanted to get it in the right order before posting. Some of what CATALOGUE showed me finally explains where the furniture came from.
On Saturday night, I ended up on Alicia's living room floor with my work boots still on and my spine jammed against the base of the couch where Toby was sleeping. I hadn't planned on it. Next thing I knew, daylight was coming through the blinds, and Rebecca was standing over me holding a mug.
CATALOGUE had removed the toy horse. The chest remained in Toby's bedroom, watched by two technicians inside Alicia's house and two more outside. Another two monitored the wardrobe, dresser, and tank in my garage, with Mercer overseeing the operation. Saturday's recovery had failed, so for now they were observing rather than moving anything. Priest coordinated from CATALOGUE's temporary office, where Dr. Marshall was reviewing the findings.
Rebecca made scrambled eggs. Toby came to the table in his pajamas with his rabbit under one arm and asked about his mother before he asked about breakfast.
“When's Mom coming back?”
“Not long to go, buddy,” I said. “She's got a cast to get used to first. The nurses are making her practice with it.”
“Is it blue?”
“White, I think.”
“Blue's her favorite color. I could draw on it for her.”
“I bet she'd like that.”
He ate half an egg and pushed the rest around his plate.
“Where's the horse?”
I'd been expecting the question. “The people took it to look at it. They'll look after it for you.”
“He was fixing it.” Toby's voice was completely level. “I never got to show him how the leg bends. That's why it's wrong.”
Toby demonstrated with his own arm, bending his elbow. Apparently, his friend sometimes needed the same lesson three or four times before he understood.
I set my fork down.
“Toby, we can't play that game for a while. Not the swapping. I need you to understand that.”
“Is he in trouble?”
“Nobody's punishing him. But the things he's making are hurting people. They hurt your mom. You saw her arm.”
“He didn't mean to do it.”
“I know. But it doesn't fix her arm, does it?”
“I know,” he said, looking down. “But he never hurt me. It wasn't scary in there, Dad. It was just a massive place with lots of stuff, and he was nice.”
“Do you miss playing with him?”
The pause was long enough that I wished I hadn't asked.
“Yeah.”
He went back to his eggs. He wasn't trying to frighten me or hide anything. As far as he was concerned, an adult had taken away something his friend had made, and he didn't understand why we couldn't let the friend try again.
When he returned to the couch, Rebecca sat opposite me with a dish towel over her shoulder.
“How much of that was true?” she asked quietly.
“All of it, I think.”
She looked toward the stairs. “Is the chest going or not?”
“Not until they know how to move it safely. They've got people watching, but the horse appeared downstairs while the chest was shut.”
“Why don't we take him somewhere else?” Rebecca asked. “Somewhere that doesn't have one of those things sitting upstairs?”
“We keep him here for now. CATALOGUE's watching the house, and nobody knows whether moving Toby would help.”
Rebecca glanced toward the living room, where Toby was watching cartoons. She folded the towel once, carefully. “You've been more present,” she said. “I'll give you that. No bullshit or fake reassurances. And you haven't left Toby's side.” She looked at me properly. “You never used to be this attentive.”
Then she took the dishes into the kitchen. It was hardly a compliment, but coming from Rebecca, it was more than I'd expected.
Priest called at ten with Nolan's medical report. His foot kept going numb, and sometimes the muscles contracted without warning. He described a hand gripping his ankle from inside. The scans showed nothing.
“And there's something else,” she said. “His intake photographs show an old ladder scar above the ankle. It's completely gone.”
Outside, the neighbor was running a leaf blower. I looked at Toby's outgrown plastic slide in the yard and felt my stomach tighten.
“Just like Toby's knee.”
“There are similarities. Mercer has suspended any further attempt to move the tank until we've reassessed the exposure risk. The remaining furniture stays where it is, under observation.”
“That's all?”
“For now. Nolan's being monitored, and we aren't putting another person near that fluid without a better containment plan.”
My phone rang again twenty minutes later. It was Henry.
“Thought you'd forgotten about me,” I said.
“That's a lovely way to greet a cripple, Ian. Really makes a guy feel appreciated.”
He'd spent the morning trying to pick up a rubber ball with his injured hand. He still couldn't make a fist, and Rachael was preparing to take him home once he could manage the stairs.
“Give it three days, and she'll be driving me straight back here,” he said.
A television played behind him. I heard him wrestling with a wrapper, too stubborn to ask for help.
“So how'd the big operation go yesterday? Did they get anything out of your garage?”
“The portrait. That's about all they've got to show for it.”
Henry laughed incredulously. “We got the whole lot home with one dolly and a plank, and the professionals can't shift it off your driveway?”
I told him about Nolan, the fluid and the missing scar. He listened without interrupting.
“Same as Toby?” he asked.
“Looks that way. CATALOGUE won't say what it means.”
“No, I wouldn't expect them to. Did they ever work out where the stuff came from?”
“Nothing. The auction paperwork's worthless, and the storage company's records aren't helping.”
“That's what I figured. I've been doing a bit of digging myself.”
He'd spent the last couple of days going through photographs we'd taken at the unit. He had little else to occupy him in the hospital, and after I'd told him CATALOGUE was tracing the furniture, he'd wanted to make himself useful.
“You remember the seven-drawer dresser? There was an old stencil on the back in green paint, under the yellow auction sticker. I peeled a corner of the sticker when we loaded it.”
“Can you read it?”
“Not properly. Something like HOM. And a number beginning with H. Funny sevens, too, with lines across them.”
I sat forward.
“Henry, that sounds like a job number. There could be records of where they collected it. Did you get a picture?”
“I did, but it’s blurry as hell.”
“CATALOGUE's got better photographs.” For the first time in days, I felt something approaching excitement. “Henry, this could actually lead somewhere.”
“Easy there. It's a bit of green paint. Don't start planning a parade.”
“You know, you could've just said you missed working with me.”
“Oh, absolutely. Nothing gets me through the day like remembering you complaining about your back while I do the heavy lifting.”
We laughed, and for a moment it was like being back in the truck. He asked about Toby; I told him my son still missed his friend. Henry went quiet and told me not to take unnecessary risks chasing answers.
Before hanging up, he said that if his information proved useful, he expected a finder's fee. Preferably not the supermarket wine I'd given him for Christmas.
I called Priest at CATALOGUE's temporary office. Their photographs showed the sticker and a sliver of green paint beneath it, but nobody had removed the sticker.
Once I explained what Henry remembered, she had the garage team remove it using tools. They photographed the exposed stencil and enhanced the faded lettering until they recovered enough of the contractor's name and inventory number to trace it.
Priest called back that afternoon with Dr. Marshall on the line. The stencil belonged to Homeward Property Services, a clearance contractor whose records matched the inventory number to an apartment on the east side.
“We've seen that address before,” Priest said.
“What do you mean?”
“Apartment 2B, Cedar Heights. The tenant was a retired handyman named Leonard.”
Marshall cut in. “Good God. We investigated that place.”
“You what?”
“Six years ago. It came to our attention during a routine case review. Two disappearances and belongings changing overnight. We didn't get involved until years afterward.”
I couldn't believe what I was hearing. They'd already investigated the apartment where our furniture had come from. All this time, we'd been trying to figure out its origins, and CATALOGUE had been there years before Henry and I ever opened that storage unit.
“And you never made the connection? What happened to the furniture?”
“We knew a clearance company had removed most of it,” Marshall said. “Tried tracking it down, too, but the records were a mess. We never established where most of it ended up. And what you brought us barely resembles the furniture in our photographs. We thought we were dealing with an entirely new collection of Returns.”
“Until Henry found the stencil.”
“Exactly.” He sounded almost embarrassed. “There were missing people, contradictory witnesses, and a workshop we couldn't safely examine. Eventually the reports stopped, and the investigation went cold. Apparently, we weren't looking at the end of it.”
“We're considering another inspection to note down any potential changes,” Priest said.
“After six years? Why now?”
“Because now,” Marshall said, “we know exactly what some of the things that left it have become. That's rather more useful than a collection of contradictory witness statements.”
Priest told me they still needed the owner's consent and a revised safety plan before anyone went back in. I spent Sunday with Toby, watching him draw while I waited for news. We had an address instead of another dead end, and up until now I hadn't realized how badly I'd needed that win.
At nine that night, Priest called again. “We’ll be heading to Cedar Heights around 10 a.m. tomorrow for a limited inspection of Apartment 2B.”
“I'm coming with you.”
“Ian, I've agreed to keep you informed, not to take you into another hazardous property.”
I reminded her I'd handled the furniture myself. She reminded me I had Toby to think about.
“That's exactly why I'm going. Rebecca's with him, and you've got people watching the house. If this apartment can tell us what happened to him, I want to help.”
“You'll follow our procedures, then. No independent investigating.”
I called Alicia before treating it as settled. She was in the hospital awaiting another X-ray and guessed what I wanted almost as soon as I mentioned the apartment.
“What about Toby?”
“Rebecca's staying. CATALOGUE's keeping somebody inside and a surveillance team outside. I wanted to ask you first.”
“You've spent the last two days telling me you don't want him out of your sight.”
“I know. But I can't keep him safe just by watching him sleep. We might finally learn what happened to him.”
There was a silence. Then she asked, “Are you leaving him because something more interesting came up?”
“No. If I thought staying would make him safer, I'd stay. I'm going because we might find something useful.”
“Talk to Rebecca properly, then. Make sure she's comfortable. Call me when you get there, and don't argue if CATALOGUE says it's too dangerous. Whatever you find, Toby still needs his father.”
I promised. She made me check Toby had brushed his teeth, then complained about the physiotherapist. I told her she'd get along with Henry, and she even laughed a little.
Rebecca didn't like the idea, but she agreed once we'd checked the phone numbers, staff positions, and what to do if Toby mentioned his friend.
The next morning, Toby was on the living room floor with his crayons when I told him I had to head out for a few hours.
“Are you going to find him?” he asked.
“I'm going to see if I can find out where all that furniture came from.”
“Can you tell him I'm not mad?”
I didn't know what to say to that. I promised Toby I'd call when I could, then gave him a hug.
Rebecca was waiting by the door.
“I'll keep my phone on,” I told her.
“You'd better.” She glanced at Toby. “And don't make me explain to your ex-wife why you've gone missing too.”
“Wouldn't dream of it.”
She shook her head, but there was the beginning of a smile.
We were on the highway when I asked Marshall something that had been bothering me recently. Priest was driving, Marshall sat beside her with his thermos, and Foster, one of CATALOGUE's technicians, occupied the seat next to me. Another vehicle was following us with three more technicians and the equipment they'd need to examine the apartment. The rest of CATALOGUE's people remained at my garage and Alicia's house.
“Does anybody at CATALOGUE actually have a theory about what these things are? Or is your whole job giving fancy labels to things you can't explain?”
Marshall smiled faintly. “I asked pretty much the same thing when I first joined.”
He mentioned tsukumogami, a Japanese tradition involving household objects acquiring spirits, and old accounts of possessions disappearing or people returning from places that shouldn't exist. Some stories were centuries old, but he admitted there was little reliable evidence connecting them.
“That’s just an interpretation of the phenomenon,” I said. “Surely governments know?”
“Individual incidents become missing-person reports, accidents, or unreliable witness statements. I can't tell you if anybody else has assembled them into a larger picture.”
“So after decades of studying these things, you've got stories and patterns to show for it.”
Marshall grew serious. “Knowing how something behaves can still keep somebody alive, even if we don't know why it behaves that way. Every so often we find something that changes what we thought we knew. That's why we're here.”
“And if we don't find anything?”
“Add it to the list. I’m used to it by now.”
Before we arrived, I asked Priest to let me into the accessible rooms. I'd moved the furniture, I argued, and photographs couldn't replace recognizing a familiar repair or scratch in person. Marshall agreed that my experience might be useful. Priest finally permitted it, provided I stayed with Foster, touched nothing, and left immediately if ordered.
I'd pictured Cedar Heights as a ruin, but it was an ordinary four-story brick block with bicycles outside and someone's muddy shoes beside the entrance.
“Most of it's occupied,” Priest said. “The tenants know there was a structural problem in the rear apartment and that it's been condemned.”
“I thought these Returns usually turned up in neglected places.”
“They do,” Marshall said. “But there are exceptions. We don't know whether neglect causes anything or simply lets it go unnoticed. Leonard was living here when the first complaints began.”
A few months earlier, the property manager had reported changes to the corridor's measurements. With the connection to Unit 114 now established, CATALOGUE had returned.
“So it might have started again?” I asked.
“Possibly,” Priest said. “Let's find out what changed before we decide why.”
Before we went inside, Priest checked in with the teams monitoring both houses. I'd become familiar with their radio procedure over the last few days. They used callsigns on the radio. Kestrel was Priest, Harbor was the garage, and Dune was Alicia’s house. Anything outside the scheduled check-ins needed a pair of authentication words. Harbor and Dune both reported nothing unusual. Priest confirmed that the existing precautions were still in place, then put the radio back on her belt and told us to get started.
We met the property manager in the lobby. She seemed like somebody more accustomed to dealing with plumbing complaints and late rent than the people now carrying instruments through her hallway.
The second-floor corridor smelled of someone else's dinner. Apartment 2B stood at the far end, its original door replaced with a heavy steel fire door. A laminated notice taped to it warned against entry.
Nine years ago, Leonard had been opening that door to his neighbors. Now a technician was checking its temperature. Priest spoke briefly to the technician, then took a key from the property manager.
“Everyone ready?”
She unlocked 2B.
Beyond it was the apartment itself. The rear workshop had been sealed separately, farther inside.
I asked Priest why the building hadn't been demolished. She said they couldn't be certain what destroying an Interface would do to anyone trapped on the other side. Nobody had found a reliable way to close one permanently.
The accessible rooms were small, clean, and sad. A galley kitchen, a bare mattress, and pale rectangles on walls where photographs had hung. They smelled of plaster and dust. Everything looked half-packed, as though someone had left in a hurry.
Nearby, a kitchen cupboard met its cabinet along a join so smooth it scarcely looked constructed. Six years ago, the cupboard had been ordinary. I might have walked past it myself.
Leonard was sixty-eight when he disappeared. One photograph showed him helping a little girl repair a wooden truck. Neighbors brought him broken furniture and toys, which he generally fixed for free. The early reports barely sounded suspicious: a rocking chair returned without its scratches, a radio without visible screws, and a toy train with an unfamiliar engine. Most had been recorded years later, after the apartment already had a reputation. Foster treated them as recollections, not facts.
Dr. Marshall explained that visitors recalled losing hours in Leonard's workshop. He began locking it; eventually he vanished, leaving his furniture behind.
Homeward was subsequently brought in to clear the apartment. Most of the furniture had already been removed when Alvarez, one of the building's maintenance workers, entered the workshop to inspect a radiator. He never came back. The clearance was abandoned, leaving everything inside the workshop where it stood. Police searched the room but found no trace of him. With the circumstances unresolved and the workshop considered unsafe, authorities restricted access.
CATALOGUE investigated three years later, but found no evidence that the disturbances were spreading beyond the sealed room. Reopening it carried risks they couldn't assess, so they recommended leaving it closed. The property remained flagged for further reports, but none suggested an immediate danger until the recent changes to the building's measurements.
Foster brought up a clearance photograph on her tablet. Four movers stood in the corridor with a dolly. Against the bedroom wall was an ordinary wardrobe with two doors.
“That's the same wardrobe,” I said. “See the chip in the molding? It's there in my garage; only it doesn't look chipped anymore. Somebody's rounded it over.”
Another photograph showed the dresser. Seven ordinary drawers, with real seams and handles. A dark knot in the second drawer was round; in my garage it had five sides.
“Third drawer from the top,” I said. “That corner's been repaired, and the pull on the left doesn't match. It's the same dresser.”
“The furniture wasn't always like this,” Marshall explained. “At least two pieces were ordinary household objects when Homeward collected them. Whatever altered them happened afterward.”
“Here?”
“Possibly. Or at one of the places they were stored before Unit 114. We still don't know where they spent those nine years.”
While Foster compared the photographs against the Unit 114 inventory, I read the witness reports. A man called Dale claimed he'd reconciled with his estranged brother after visiting the apartment. He remembered where they'd sat and everything they'd said.
His brother hadn't seen him in years.
“Toby told Alicia I'd apologized to him,” I said.
Marshall read the paragraph again. He noted the similarity and asked Foster to flag it in the case comparison.
What if Toby really remembers me apologizing? What if, wherever he went, I actually did?
Dale had later begged his family to take him back, claiming someone was waiting for him. Another witness described the workshop as somewhere they hadn't wanted to leave. I thought of Toby at breakfast, insisting that his friend was nice.
Early complaints centered on the workshop, but later reports mentioned the hallway and kitchen. The new measurements suggested the alterations were spreading.
“Like the horse,” I muttered.
Marshall was still holding the photograph of Leonard helping the little girl repair her truck. “Most people in these reports were frightened,” he said. “Toby treated it as a friend.”
“That's why it listens to him.”
“Perhaps. But that doesn't mean it understands what it's doing to him.”
“What about the workshop? Has anybody checked whether it's changed?”
Priest and Foster were comparing the latest measurements. Both the doorway and kitchen cupboard had changed since the previous survey.
“Whatever happened here didn't necessarily stop when the workshop was closed,” Foster said.
Priest considered the figures, then checked with Marshall.
“Can we examine it from the doorway without entering?”
“We can try,” he said. “But I'd rather leave the room intact than have somebody go exploring.”
“We'll inspect it from the doorway. Nobody goes beyond the survey markers.” Priest looked at me. “If I tell you to leave, you leave.”
We reached the workshop shortly after one.
It was located at the end of a short hallway behind the kitchen. Unlike the reinforced entrance to 2B, its door was an ordinary white hollow-core model, almost completely hidden behind a steel plate bolted across the frame.
Someone had written a date on the original door in pencil, just above the handle. I couldn't make out the numbers from where I stood.
Foster checked the cameras and temperature readings. Priest confirmed the retreat route, then ordered the crew to remove the bolts. I stood behind the tape, my hands in my pockets. Nobody said much while the driver worked. The screws came away one by one, with a thin metallic chatter that seemed much too loud in that quiet building. With the plate removed, Priest opened the door slowly.
At first that was all it was, a workshop smelling of sawdust and varnish, crowded with furniture, cabinets, frames, and benches stacked to the ceiling. Afternoon light came through the window at the far end, illuminating the workbench and the dust-covered furniture.
Then I looked properly.
The cabinets had doors that opened onto more doors; shelves were bent into the walls, and drawer fronts were missing their drawers. Picture frames and mirror frames had fused, climbing the plaster. A bookcase poured into what looked like a sofa, the upholstery beginning halfway up a shelf and running down it like melted wax. The room was bigger than the apartment. I could feel that from the threshold. The walls were too far apart, and the far window seemed no nearer when I looked directly at it. Everything had the familiar sheen. Warm, faintly damp, and completely seamless.
“It's the same,” I said. “All of it. It's the same as what we hauled.”
“There's more of it,” Foster said quietly.
Looking down the room made me feel strangely exposed. Every piece of furniture reminded me of something we'd handled in the unit. Things we'd carried against our chests, leaned over, and put our hands underneath without thinking.
“Was it like this when the police searched it?” I asked.
Marshall shook his head. “No. Their photographs show an ordinary workshop. Cluttered, certainly, but nothing resembling this. It was already sealed when we investigated, and there was no evidence of anything spreading beyond it.”
I looked toward the far window. The room extended farther than the building should have allowed.
“But the wardrobe was already gone. I thought that was the Interface.”
“It is,” Marshall said. “That doesn't mean it's the only one.”
I turned to him. “You think this whole room could be another?”
“I think we're standing in a room that no longer fits inside the building. Whether it's an Interface or something connected to one, I don't know.”
“And you left it sealed for six years?”
“We believed it was contained. Nothing in the earlier photographs suggested anything like this.”
Foster crossed only as far as the survey markers allowed. The team used probes and cameras to examine the nearest structures. Nobody touched the furniture. Marshall stood just inside the door studying the workbench, while Priest photographed the room from the threshold.
I was looking at the largest structure against the left wall, a leaning mass of dark polished wood. It rose to the ceiling, with ribs like a shipwreck. Partway up it, something stuck out.
For a long moment I took it for the handle of a drawer.
It was a hand.
Not a whole hand. Just a forearm from the elbow down, the wood grown around it like bark. The skin was brown and shining, almost the color of the wood. I could see the fine hairs on it, and the fingers had curled into a loose fist. There was a steel watch on the wrist, half sunk into the grain.
My first thought was that somebody had put it there. Some kind of horrible decoration. It was easier to believe that than what I was actually looking at.
I took a step back without meaning to. My heel caught on the edge of the tape.
“Everybody out of that corner,” Priest said. “Slowly. Don't touch anything.”
Nobody argued. One technician backed into another, and the second caught his sleeve before he could stumble against the nearest cabinet.
Priest raised her camera, then lowered it again. It took her a moment to bring it back up.
Once I'd seen the arm, I couldn't unsee it. A strip of pale, creased skin ran through the polished grain. In a hollow between two beams were small yellowed teeth, set into the wood like pegs. There was an impression of fingers flattened into a panel and a tuft of hair growing from the join of a drawer.
It wasn't an exposed body. It was furniture, and in the furniture there was a person. Real teeth, real skin, real fingers. Someone had been taken apart and put back together.
I made it as far as the corridor before I was sick.
I remember Foster giving me a tissue and keeping one hand between my shoulders until I could breathe normally. Her own face had gone pale, but she was watching the doorway while I recovered.
“Easy,” she said. “You're doing fine.”
I looked back through the door and saw the watch again. The bent metal band. Something about it had been bothering me, and then I remembered.
“Priest. The clearance photographs. The ones with the movers in the corridor.”
“What about them?”
“There was a maintenance man. He had grey coveralls and was holding a clipboard. He had a watch like that, with a dent in the band.”
She brought up the photographs on her tablet. I could hear myself talking too fast as I told her which image to find.
There he was, standing behind the removal crew with one arm resting on his clipboard. Priest enlarged the photograph. The watch was the same general shape, and I pointed out the dent in the metal band.
Foster leaned closer.
“Wait. Look at his wrist.”
There was a small dark marking beneath the watch, partly obscured by the sleeve. She enlarged it again, revealing what looked like a crescent-shaped tattoo.
I kept looking between the two photographs. The man in the corridor had been alive when they took that picture. He'd stood there while the movers loaded the furniture, probably thinking about getting home at the end of his shift.
Nine years later, I was looking at what might have been his arm.
Marshall stepped toward the doorway and directed his penlight onto the exposed forearm. He didn't touch it. Beneath the wrist, half buried in the polished wood, was a similar curved mark.
Priest pulled up Alvarez's missing-person report and compared it with the photographs. Marshall remained by the doorway, his penlight trained on the forearm. “Document it. Every detail we can get without going any closer.”
“Could that actually be him?” I asked.
“We don't know,” Marshall said. His voice was quieter than before. Priest ordered the technicians to withdraw their equipment from that corner.
Foster paused, studying her thermal monitor.
“Doctor, there's a reading.”
“What sort?”
“Above ambient, localized around the arm. And it isn't steady.”
On Foster's screen, a patch around the wrist brightened and faded. When she moved the probe away, it disappeared. When she returned it, the rhythm came back, moving beneath the skin like a pulse.
Under the smooth dark wood, something contracted.
The fingers tightened a fraction of an inch, then eased.
I made a noise before I could stop myself, a sudden catch in my throat.
“Out,” Priest said, a faint tremor in her voice. “Everyone out of the room. Now.”
We backed through the doorway one at a time. By then the inspection was over. Priest ordered the workshop sealed again, but this time she stationed two technicians outside Apartment 2B and instructed them to keep the adjoining corridor under observation. Nobody was to enter without her authorization.
Marshall sat against the wall, holding his glasses in both hands. I sat opposite him, pressing my shaking hands between my knees. Every time I closed my eyes, I saw the wrist and the little crescent tattoo. I kept looking toward the sealed door, half expecting a knock from the other side.
“You’ve seen people come back changed before,” I said. “You told me that yourself. Back when CATALOGUE first started investigating these things.”
Marshall nodded.
“We have. Some of our earliest cases were considerably worse than anything we've documented recently. We lost people during those investigations, too.”
“So how is this different?”
“Because the people who came back were still people. We've never found recognizable human anatomy incorporated into a Return before.”
“Do you think that's what happened to Alvarez?”
“I think the evidence suggests a connection. But we don't even know whether that's his actual arm or something made to resemble it.”
I thought of the watch, the crescent tattoo, and the fingers tightening under the wood.
“Both Toby and Nolan’s scars disappeared,” I said. “And that man's—what if it's the beginning of something? What if Toby comes home looking perfectly normal, and six months from now there's something wrong inside him nobody knows how to find? You've been studying these things for decades. Surely you've got some idea what's happening.”
Marshall exhaled, eyes closed.
“Ian, I wish I did. We've encountered things we couldn't explain before,” Marshall said. “But usually they were isolated. A single object, perhaps a room. Here, we've got what may be another Interface, and now what appears to be human tissue incorporated into a Return.”
He glanced toward the sealed workshop.
“I'm beginning to suspect we've only been seeing pieces of something much larger. And I'm afraid we understand no more of the whole picture than you do.”
I wanted to press him. Ask what he meant by "larger," whether there were other places like this, and what any of it meant for Toby.
But Marshall was sitting with his glasses in his hands, staring at the floor. The lines around his eyes seemed deeper than they had that morning. For the first time since I'd met him, he looked every bit his age.
We'd gone there looking for answers, and I suppose we'd found some. We knew where at least part of the furniture had come from and that it hadn't always looked the way it did now.
We'd learned more in a few hours than I had in weeks. But none of it told me whether Toby was going to be okay.
I kept thinking about the arm in the wood.
If that was its idea of fixing something, what did it think was wrong with my son?
Priest was speaking with her team at the stairwell, reviewing the footage and confirming that nobody had touched the structures. She looked up as I finally stood.
“I want every precaution you've got,” I said. “I've got a six-year-old boy in a house with an open Interface. I can't keep waiting for someone to tell me what you've learned after the next person gets hurt.”
“We've already suspended communication attempts after Saturday,” she said. “And the chest is under continuous observation. What else are you asking us to change?”
“More people at the house, and cameras where the chest isn't.”
“He's right,” Mercer said over the radio. He'd been listening to the discussion. “We need to treat the boy's exposure as an escalating risk. Additional surveillance should've been arranged already.”
“More observation, certainly,” Marshall added. “But I'd caution against another attempt to move or interfere with the chest. We don't know whether disturbing it would make matters worse.”
Priest ordered additional cameras and another technician for the overnight watch. The two inside Alicia's house would remain with Toby and Rebecca and continue monitoring the chest.
“We can reinforce surveillance without disturbing anything,” she said.
She was about to confirm the arrangements when another transmission interrupted her.
A burst of static, a click, then Mercer’s urgent voice from the speaker.
“Kestrel, Kestrel, this is Harbor. Do you copy? Over.”
“Harbor, this is Kestrel. Go ahead,” Priest said.
“We've got activity at the wardrobe. The doors are moving. There's noise inside, with furniture shifting. We need assistance now. I don't think we can hold it.”
Priest's hand went still. She asked for the authentication words.
“Lamplight,” Harbor said.
“Response?”
“Gravel. Priest, please. It's getting worse.”
Priest acknowledged the emergency and ordered Harbor to stay clear of the wardrobe. Then she began arranging reinforcements.
The nearest available personnel were the two technicians in the surveillance van outside Alicia's house. Priest ordered them to assist at my garage, leaving the other two technicians inside with Rebecca and Toby.
“That leaves nobody outside,” I said.
“Both people inside will stay where they are. One with Toby and Rebecca, the other observing the chest and the cameras.”
I called Rebecca myself. She answered on the second ring, annoyed more than frightened. Toby was drawing beside her, and she assured me they were fine.
“Call me if anything changes,” I told her.
I heard Toby ask who it was. Rebecca told him it was his dad and that I'd be home later.
That was the last time I spoke to her.
We headed downstairs to the van and stayed parked outside the building while Priest monitored the response. The two technicians from Alicia's house reached my garage about twenty minutes later.
“Kestrel, this is Dune's outside team. We're on site. Harbor says there's no emergency.”
Priest straightened.
“What do you mean?”
She contacted Harbor directly. Mercer answered. Neither he nor the other technician had reported any activity at the wardrobe or requested assistance.
“But you gave us the correct authentication words,” Priest said.
“Priest, I never made that call.”
Foster reviewed the dispatch recording. The false call was there, complete with the correct authentication words.
“The radio,” I said to Marshall. “The one from Unit 114. It copied my voice and Alicia's. Played back things nobody ever recorded.”
Marshall smacked his forehead in frustration. “Oh, for God's sake. The radio. Of course. We never considered it might work through other equipment. And we've spent twenty minutes treating that call as genuine.”
“But if it can do that through your radios—”
A second channel crackled before I could finish.
“Kestrel, this is Dune. Are you there?”
Priest didn't answer immediately. She looked at the radio, then reached for her phone.
“Dune, go ahead.”
“There's a problem at the house. Rebecca's gone.”
“Stay on this channel,” Priest said. “I'm calling the house directly.”
She put the call on speaker. One of the technicians answered, sounding out of breath.
“Tell me where you are,” Priest said.
“In the living room. Toby's right beside me.”
“And Rebecca?”
“That's what I'm trying to tell you. She said she could hear Alicia calling her from the hallway. I told her it couldn't be Alicia and asked her to stay with Toby.”
“Then what happened?”
“I checked the hallway. I was standing in the living room doorway where I could still see the couch. I turned toward the hall because I thought I heard something moving. When I looked back, Rebecca wasn't there.”
“And the other technician?”
“Still upstairs, monitoring the chest. We checked the feeds. Nothing shows anyone leaving, and the chest hasn't opened.”
“Call the other technician,” Priest told Foster. “Use a separate phone.”
Foster made the call.
“Same report.”
“I don't know where she went,” the technician said. “She was here. I was talking to her, and now she's gone.”
Priest ordered both technicians to remain with Toby, lock the doors, and ignore any voices. She recalled the two personnel diverted to my garage immediately.
I was already pulling my seatbelt across my chest when Priest started the engine. Nobody tried to tell me Rebecca had probably stepped outside. They'd heard the report, and they knew the doors were locked.
As we pulled away from the apartment block, I called Rebecca. It went straight to voicemail. I called again.
I couldn't stop thinking about the workshop, about the watch still fastened around that arm.
I pictured Rebecca trapped in something like that, her face pressed into the wood, one hand reaching out. Every time I tried to put the image away, it came back a little less human.
Something pale caught my eye beneath the passenger seat. For a second, I thought I could see fingers curling around the edge, reaching toward my ankle.
“Ian.”
I jerked my feet back.
“Ian, look at me.”
Marshall was watching me from the front seat. I looked down again. It was just a loose strap hanging beneath the seat.
“She's missing,” he said. “That's all we know.”
I nodded, though I could barely make myself believe it.
I'd imagined Toby at the breakfast table, patiently explaining how to play with his friend and showing him things three or four times until he understood. I'd spent days wondering whether it was lonely, whether it wanted somebody to play with, whether it even understood it was hurting people.
Maybe all of that was true.
Or maybe none of it was.